Birmingham Science Fiction Group

Reviews - Authors M-N

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A selection of reviews from our monthly newsletter. These are sorted by the author's or editor's last name. Click on the name at the top of the page to take you to the section or just scroll down the page. Stuart B MacBride
John Macken
Ian R MacLeod
John MacLeod
George Mann
Juliet Marillier
Gail Z Martin
George R R Martin
George R R Martin & Gardner Dozois
Paul J McAuley
Anne & Todd McCaffrey
Anne McCaffrey
Todd McCaffrey
Jack McDevitt
Ed McDonald
Ian McDonald
Seanan McGuire
Patricia A McKillip
Suzanne McLeod
Richelle Mead
John Meaney
China Miéville
Karen Miller
David Mitchell
L E Modesitt Jr
Ward Moore
Richard K Morgan
Mark Morris
Linda Nagata
Terry Nation
Vera Nazarian
Emma Newman
Stan Nicholls
Larry Niven
Alyson Noël
Naomi Novik

Stuart B MacBride

HALFHEAD by Stuart B MacBride

This is the first foray into science fiction by a prolific crime/thriller writer Stuart MacBride (note no initial ‘B’). His noir crime novels are set in Aberdeen and feature a gritty and much put-upon detective sergeant Logan McRae whose efforts in solving a number of high profile and sometimes horrendous cases are not recognised or appreciated by his superiors. This book, written in his normal lively if occasionally gruesome style, is set in a relatively near future with the action (and I do mean action) taking place in Glasgow. To be specific, in its vast and deprived south side connurb blocks, these are always set to explode at the least provocation. They were, eleven years ago, the scene of the VR (virtual reality) riots in which 3 million people died. At the same time similar riots transformed the United States from a superpower to a third world state. In this world perpetrators of major crimes are surgically mutilated on conviction, losing their lower jaw, and are lobotomised before being sent out by the State to do menial jobs in the community in order that everyone can see what happens when you break the law. These are the ‘halfheads’. One of these, Dr Fiona Westfield, who was one of the most prolific serial killers Glasgow has ever seen, is waking up and she wants revenge, particularly on William Hunter who was instrumental in her arrest and conviction. Since then he has been promoted to the rank of Assistant Network Director. The Network is a type of special police force/paramilitary organisation dealing with major crimes. The book follows these two over the period of Dr Westwood’s awakening. Extra spice is provided by the machinations of a powerful and rogue extra government organisation. There are a good number of strong secondary and minor support characters seamlessly interwoven throughout this action-packed story. This story has a start, middle and a strong and clear end, which still leaves open the possibility of a sequel. If you like noir crime/thriller novels both HALFHEAD and the Logan McRae books take some beating and are strongly recommended. For once I agree with the quotes on the jacket, i.e. “Compelling” (SFX) and “Slick, gruesome and brutally intelligent. This is bare knuckles thriller writing” (Michael Marshall).

Reviewed by Jim Pearce Oct-2010 Published by HarperCollins

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John Macken


This is the third book featuring ex CID detective and forensic scientist Reuben Maitland who has been sacked form his post as head of GeneCrime the elite UK forensics centre.
Why he has been sacked is not made clear, but is alluded to as being due to using GeneCrime laboratory resources for conducting his own research. Although sacked he is still carrying out research into the use of DNA in behavioural profiling and has covert assistance from a few old GeneCrime colleagues. He has identified that there are five aberrant genes that make a person likely to be a psychopath. The more of these one has, the higher the potential for violence. To help identify these persons from their DNA, he has created a system he calls Psychopath Selection.
Reuben’s temporary replacement, Mina Ali, discovers that a data base of the DNA profiles of persons excluded from enquiries has become rather large and has been
moved to an unexpected position in the IT system. She also finds that it has been recently searched. This information is brought to the attention of the apparently new head of GeneCrime, a DCI Sarah Hirst without any great impact. Later on she provided these profiles to Reuben who identifies that seven of them are potential psychopaths. It is also identified that six of these persons have recently become victims of violent crime and the seventh has committed a violent murder (described in the opening chapter) on apparently very little provocation. Reuben decides to contact these persons and inform them of the aberrant nature of their DNA and their potential for extreme violence, beseeching them to try to remain calm no matter how provoked. One of these persons is a violent criminal with whom Reuben has crossed swords in the past. The provocation that he undergoes leads to a campaign of violence with Reuben being one of its victims.
At the same time, London is being terrorised by a serial killer who strikes on underground trains without leaving any trace. The mounting body count leads to panic and traffic chaos as passengers shun the use of the Underground. GeneCrime is puzzled as to the cause of death. Unknown to Reuben his actions in trying to help these potential psychopaths leads to a traumatic clash with the Underground Killer.
It is quite obvious that this is the third book in a series as there are many things left unsaid or taken for granted in its first half. For instance, early on the GeneCrime staff holds a wake to which Reuben is invited. But who has died is not made clear until halfway through the book: how he died never is. As a result I found the book initially unsatisfying, but as I progressed came to enjoy it more and more. I would strongly recommend that to get the most out of the book the other two in the series are read first. Is it science fiction?
Probably but only because (to the best of my knowledge) the GeneCrime laboratory does not exist and neither does Reuben’s Psychopath Selection system.

Reviewed by Jim Pearce Jan-2010 Published by Corgi

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Ian R MacLeod


I was thoroughly impressed with this book. I found it a little strange at first – from the cover and blurb on the back (GORMENGHAST-comparisons) I assumed I would be entering a different world, but indeed the one in the book is strikingly identical to the one we know. The only thing different is that aether – a magical element – has taken over the world (described in his first book THE LIGHT AGES), and the world is stuck in a Victorian-type era. In this world dwell Alice Meynell, ruthless great grandmistress of the Guild of Transporters, and her son Ralph. There are two halves to this book – Ralph growing up on a huge estate near Bristol, and then him finding health and love. The second half to me was less appealing – it featured strongly a civil war and nasty associations with that. He brings out the ‘Chosen’ in this half – those overcome and changed by aether. This part is how war changes the world.
The book is firmly set in English soil and likeably so. The south-west and Bristol are especially strongly featured and this was interesting for me., who has never been to Bristol. I started to feel like it would be familiar should I visit in the future. The character are well-drawn particularly Alice. You can really feel the pains and troubles they go through during the course of events. Alice is cunning and manipulative but displays a touching love for her son, and this fleshes her out into more of a three-dimensional character rather than just a stereotypical bad guy. This big book was read through very quickly as a result of Ian’s writing style. His is a different but fascinating world based on our own.
In fact his ideas are such that it is almost too much to take in at once, but I have been converted and will now look for THE LIGHT AGES to catch up on what went before, the take-over by aether which is referred to in the HOUSE OF STORMS; but not too tantalisingly, so that one feels one should have read them in the correct order - to my mind this ‘sequel’ of sorts is enough of a stand-alone book, especially as Ian has focused on different characters to those in his first book. All in all an excellent read.

Reviewed by Vicky Cook Oct-2006 Published by Simon & Schuster

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MacLeod garnered considerable praise for his novel THE LIGHT AGES and now returns to the same world in a novel which is not properly a sequel, being set a century or so later. Following the tumultuous events of the preceding book England seems to have become more conventionally industrialised although the magic of aether still permeates every aspect of life and the guilds are still in control of the spells and processes which govern its use.
In this strange alternate England, the amoral Alice Meynell has risen from humble beginnings to a position of the highest power by ruthlessly using people before casting them aside while destroying others who might stand in her way – indeed, she is not above committing murder to further her ends. These ends include the protection of her son Ralph, first seen as a consumptive teenager but who undergoes a near-miraculous cure when she brings him to Invercombe, a country estate near Bristol. He attempts to pursue his own future and conducts a passionate affair with a servant, Marion Price, resulting in the birth of a changeling child, but his mother puts a stop to all that and moves to draw him into the power structure she is building. Her efforts are largely responsible for plunging England into a civil war from which no-one emerges unscathed.
This is certainly another remarkable book, but maybe too long for its subject matter. The strange alternate world in which it is set and the complexities of the story demand a deal of exposition, but in the later stages there are times when the detailed explanations of what is supposed to be happening tend to obscure the fact that not very much is happening at all. The ending, too, is inconclusive – Marion Price sails away like Frodo at the end of The Lord of the Rings but all the other leading characters simply fade away, leaving no certainty as to what happens to them. The importance of the book lies not in the resolution of the stories of the people involved so much as in the process of those stories taking place.
Reviewed by Michael Jones Feb-2006 Published by Pocket Books

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The basic premise behind this novel makes it an original, alternate world fantasy. The level of technology is very similar to that in our own Victorian era.
The difference is that a substance called aether holds things together and makes the machines work. It is a kind of elemental magic. MacLeod explored the idea first in his novel THE LIGHT AGES and he handles the technological side of his creation very well. The problem is the plot, especially at the beginning. It has the makings of a Victorian melodrama.
Alice Meynell is a woman who has slept her way to the top. She is now married to the greatgrandmaster of the Guild of Telegraphers and still has ambitions. Her son, Ralph, is suffering from TB and she brings him to Invercombe in North Devon to die. Instead he survives and forms a liaison with a shore-girl that Alice has hired as a maid at the house. They plan to elope to the Fortunate isles (West Indies) but Alice finds out and puts a stop to it. Ralph is sent to the academy to learn his trade before being married off to a suitable woman, not knowing that Marion, the maid, has given birth to his child.
The plot becomes more original after this as the East and West of Britain indulge in a bloody civil war. There are actually three stories worth telling here, that of Alice Meynell, especially her use of aether to achieve her ambitions, of Marion Price who becomes a rallying cry for the Western forces due to her Florence Nightingale-like activities, and of Klade who is the son of Ralph and Marion and is brought up among people deformed by aether poisoning. Each of these characters could easily have been given a book of their own and they could have been developed to a greater depth. The pages of exposition could have been expanded and more immediate. There is a bigger work here that has been squashed into one volume. I do not often advocate trilogies, but in this case, the story would have benefited from that kind of treatment.
Reviewed by Pauline Morgan Dec-2005 Published by Simon & Shuster

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John MacLeod

DYNASTY by John MacLeod

Subtitled ‘The Stuarts 1560 - 1807’ I wondered why this had come through my door. Not SF at all but pretty good for all that.
Having given up history and geography quite early at school to study sciences and fail calamitously at languages, I’m well aware that there are huge chunks of British history that I’ve missed. This book has filled in quite a piece for me in an entertaining and interesting fashion.
Of course, it always helps for me if the characters are believable. I’m not sure that the Stuarts are believable. As in Slow Lightning, it is constantly amazing to watch characters completely bugger up their lives, which is what the Stuarts seemed to do best. What an unhappy, unlucky, idiotic bunch they were. Well worth a look, although the price is a bit worrying.
I mean I know it’s pretty sad to look back to when I could buy a book for one and six but £8.99 seems to be the next step up.

Reviewed by Yvonne Rowse Apr-2000 Published by Sceptre

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George Mann


First things first - ‘Mammoth’ this certainly is not, particularly when compared with the 1993 Clute/Nicholls Encyclopedia. One wonders whether there was any need for anything new to supplant that benchmark publication, but it seems to have been felt that there was room for something that would be eight years more up-to-date as well as less expensive and more accessible generally. Thus in the main half of the book, headed ‘Science Fiction On The Page’, Mann has confined himself to (about) 150 authors and these include a number of fairly obscure contemporary writers, presumably in the expectation of future promise rather than past accomplishments. This is in keeping with one of his aims, which is to provide a pointer to the way SF might be going in the future. However, I found that some quite important writers have been left out: I find it hard to agree with the inclusion of (for example) Michael Crichton if this has resulted in the exclusion of (for example) Dan Simmons. Also, although there are entries for about half a dozen SF artists, both British and American, I was disappointed to find that ‘Hardy, David A .’ was not among them.
Another criticism I might make is that this section concentrates 90%-plus on book- length work, the importance of the short-story form in SF being virtually ignored.
The other main section is ‘Science Fiction on the Screen’, comprising an eclectic selection of movies and TV programmes. I found I did not always agree with Mann’s choice of what to include, or his comments, but that only represents the difference between my personal opinion and his and this is a useful guide.
There are also an introductory chapter providing a brief overview of ‘The History and Origins of Science Fiction’ and a section entitled ‘Terms, Themes and Devices’ with entries on subjects from Aliens to Wormholes.
The former is both informative and insightful but the latter gives only superficial treatment to its various topics and would be useful only to the more casual, non-technical reader.
I cannot vouch for the accuracy of every bit of information it contains although I did notice a very few minor errors. All in all, however, Mann (who incidentally is assistant manager at an Ottakar’s bookshop) has succeeded in producing a viable alternative to the more comprehensive Encyclopedia. It is certainly handier, avoiding as it does the larger work’s copious references to books etc., one will probably never read by writers one will probably never even hear of anywhere else. However, I cannot help wondering if its intended market really exists. The serious student of SF will want the larger work, despite its bulk and price, whilst the casual reader at whom this is aimed would perhaps be unlikely to consider buying a reference book of this kind, although I could be wrong of course. Within its own terms of reference it is a good piece of work and any who do buy it will find it to have been money well spent.

Reviewed by Michael Jones Sep-2001 Published by Robinson

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Juliet Marillier

HEART’S BLOOD by Juliet Marillier

Caitrin is an adolescent on the run in Ireland in the eleventh or twelfth century. Creative and independent-minded, with almost psychic sensitivity, she has been psychologically and physically brutalised by the mundane and domineering men and women of her home community. She’s a scribe, struggling to succeed in a traditional man’s role against her society’s straightjacket views of a woman’s place. Isolated and sexually intimidated, she’s on the run from the dark lust of her cousin Cillian.
Juliet Marillier’s regular readers may take the Irish setting as a given, but for newcomers it arrives grudgingly via scattered clues. Pointers to the period are equally oblique, guessed from vague concerns about ‘the Normans’ and their capacity for non-specific fiendishness. Luckily both time-frame and location are about as relevant as they are credible. Just as most Hammer films were set in a vaguely familiar Foreignshire, usually populated by Cornishmen, this is Marillier-land and resembles nothing so much as the ancient Greece – or even Ireland – of Lucy Lawless and Kevin Sorbo.
The opening scene, lifted straight from a Hammer film, sets the general tone of mild spookiness and constant sexual threat. Caitrin is dumped from a farmer’s cart in the woods around spook-troubled Whistling Tor. “Oi can’t take you farther unless you pays, hur hur,” drools the farmer, ogling her lady-parts. “But oi wouldn’t stay round ‘ere, with all them ghosts and monsters.” Revolted and scared, Caitrin stumbles into the woods, talking to herself like a loon.
When she reaches Whistling Tor village, Caitrin learns of a vague but terrible curse on both the land and the local chieftain Anluan. The woods are full of evil ‘presences’ and Anluan is a disfigured hermit who won’t honour his duty to protect his serfs from the invading Normans.
Caitrin is drawn to the community of oddballs who quite literally haunt the forest around the other-worldly castle- mansion on top of Whistling Tor. She seems to have an affinity for the strange folk who walk the wild wood’s paths. Could this mysterious place possibly be the safe haven where she’ll find both a new family and a use for the talents that set her apart in the outside world? She immediately clashes with the tormented, disfigured, solitary, brooding Anluan. Will her fragile femininity crack the ice that guards his heart?
The brusque, muscular warrior-butler Magnus sets Caitrin to work in the library, transcribing the ‘latin’ writings of black sheep great-grandfather Nechtan into Anluanfriendly ‘Irish’. This flips us back into Hammer gothic territory because what amount to Nechtan’s diaries describe his ‘experimentation’ with dark forces, hurriedly pasting ‘evil wizard’ across ‘mad scientist’ on his dressing-room door.
There’s a constant background hum of sexual threat. Caitrin’s been abused and beaten by sexual predator Cillian and his mum. She’s told she has ‘the body of a whore’, which is to say big breasts and wide hips. She seems to think of people, not even just men, as either pimps or rapists. I wasn’t entirely comfortable that this dark psychological territory is expressed in reductive, coy language and covered by a sweaty, bodice-heaving film of wish-fulfilment power fantasy. When Caitrin travels psychically back in time to watch evil Nechtan torture and murder a hedge-witch and her little dog, too, she senses his gruesome ‘hardness’ for Aislinn his ‘pert-buttocked’ Igorina. Later she can’t sleep and wonders feverishly about the mental perversion his cruel mastery has forced on the innocent serving girl.
Cold shower, anyone?
It’s a tortured girl meets sullen boy story, built from the Meccano set of stock fantasy characters and situations. The writing style’s unsophisticated, with a juvenile quality you could say is appropriate to its young lead character, but which I’d argue probably isn’t that thought-through or deliberate. Some very deliberate button-pushing skews the book towards a particular gender and demographic. A sour-tasting fog of frustrated, sado-masochistic sex clings to every page, and I’d say the sexual politics are a bit suspect. If this had come from another stable, and significantly another gender viewpoint, let’s say John Norman, I think it would be mercilessly hounded and parodied into oblivion.

Reviewed by Steven Gough Jan-2011 Published by Tor

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Gail Z Martin


Cassidy Kincaide is owner of “Trifles and Folly” an auction and antiques shop in haunted Charleston, South Carolina. Behind the veneer of buying and selling antiques is her real job; getting supernatural objects off the market and tucked away safely. It's the perfect job for Cassidy, because she's not just a history buff, she's a psychometric who can read the emotions in objects and hear voices or see images. Teag also works at the shop with Cassidy and has his own powerful magic, often playing bodyguard to Cassidy. There's also silent partner and vampire Sorren (over 600 years old and a member of the Alliance) who deals with the supernatural item to neutralise it. And Sorren is worried, because amidst the everyday work of haunted opera glasses and other miscellanea, something big, and bad is coming.
“Gardenia Landing B&B” is also having problems with some haunted items so Cassidy is invited for a short stay to investigate. The city of Charleston is rife with a bloody history of slavery and piracy, so there's plenty to occupy Cassidy on the supernatural scale. In the theatre, viewing the world through the haunted opera glasses, we get to see interesting snippets of history as Cassidy is thrown into flashbacks. And as the story progresses, Cassidy's flashbacks are used to good effect to build up the tension and the mystery behind the haunted objects.
I enjoyed this book from the off. Apart from the fact it's Urban Fantasy, which I love, Martin has a strong authorial voice and will be known to fans of SFF. Cassidy is a strong, vibrant character and her visions are seamless and engaging. Add to that that every object has its own inherent history and it makes for an exciting concoction. The narrative is laced with a wry sense of humour despite the gruesome nature of some of the artefacts and some of the death scenes (this is not for the faint hearted). Martin has also obviously done her research when it comes to the artefacts which imbue the novel with a terrific sense of atmosphere. The magic used in the book varies from supernatural, to psychic to Vodoun making for an eclectic mix. It is clear that Martin has created an intriguing world and characters that would make for a great series, akin to the Jim Butcher Dresden Files. This book will definitely appeal to fans of that series as well as the Sookie Stackhouse books.
All in all a solid and enjoyable addition to the genre by a strong author.

Reviewed by Theresa Derwin Jan-2015 Published by Solaris

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VANITIES (A Deadly Curiosities Adventure Book 1) by Gail Z Martin

Following on from Martin's very enjoyable first adventure comes a new adventure narrated by vampire Sorren, which starts with the tantalising line, “I was dead when I first saw Antwerp. The year was 1565."
This short novella finds Sorren arriving in Antwerp with his vampire maker Alard, after being a petty thief in Bruges. Now, here he is, entering Antwerp a much improved thief and an immortal, ready for one of their biggest jobs. From the docks, Alard and Sorren proceed to an antiques and curios shop “Vanities”, meeting mortal manager Carel. Sorren is to steal a brooch, but as with the previous objects and artefacts in the original novel, all antiquities have a power, a supernatural resonance and as such, the brooch is dangerous.
Although on the short side, this is a great introduction into the history of the Alliance and Sorren himself. There's adventure, bloodshed, humour and poignancy. These short adventures and the debut novel itself make me want to read more from this series.

Reviewed by Theresa Derwin Jan-2015 Published by Dreamspinner

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VENDETTA (Deadly Curiosities 2) by Gail Z Martin

“Trifles and Folly” isn't your average antique store. Cassidy Kincaide, the current owner of Trifles and Folly has had the store in her family for over three hundred years, in haunted Charleston, South Carolina. In the first book she discovers the store's real purpose, and her destiny. It's her job to keep magical curios and antiques safe from the public. Sometimes a jewellery box is just that, and sometimes it houses a blood-sucking demon. Either way, it's a dangerous job, but someone has to do it, and it appears that someone is Cassidy and her employee, Teag. She also works with her silent partner, Sorren, a six-hundred-year old vampire with a few powers of his own. Think a quaint, old-fashioned version of the TV series,Warehouse 13.
To help her with her job, Cassidy's talent is psychometry, the ability to read objects through touch. When Cassidy touches the latest acquisition, the emotions are rife. Martin is expert at filling in the gaps and creating the mystery to progress the story through Cassidy's visions; sights, sounds, feelings, atmosphere. It's all here. And each artefact is a little glimpse into history, and a case for the Trifles team to solve. Cassidy is literally plunged into the past as the person who owned the object narrates their death and the circumstances surrounding it; moving and engaging stuff.
Emerging, shaking and upset from her vision, Cassidy tells Teag the bad news. There is a ghost attached to the jewellery box. But that's not the bad news. It's the wraith that eats ghosts, now in the most haunted city in North America that's the problem. And something even bigger is on its way.
Cassidy has an interesting cast of characters to assist her in her endeavours. Teag himself is a Weaver, who can weave magic into fabric or find out anything by weaving information on the web. Lucinda is a Voodun mambo (root worker) who can offer protection through herbs and channel Baron Samedi. Valerie is a medium who runs the local ghost tour, Chuck is a retired Supernatural Black Ops Agent, Bo is the ghost of her dead dog and Father Anne is a tattooed and powerful priest who frees spirits helping them into the next world. Amidst the urban fantasy fare, the adventure, intrigue and humour, there is darkness galore and even a Lovecraftian vein. We also get to know Sorren a little better, and that knowledge is poignant.
Martin doesn't shy away from the darker history of the South, being open and honest about slavery and the like. Her cast of characters is also wonderfully diverse including sexuality, race and colour. Martin is also adept at handling exposition and back story through conversation with other characters that feels natural.
There are a lot of battles and blood in this novel and a few losses along the way, which makes the final showdown with the 'big bad' all the more dramatic and fraught with tension. Cassidy, Sorren, Teag and the rest of the team fight well together, but their adversary is strong. Will they survive intact? That's not for me to tell. What I will say though, is it’s one helluva finale and this book had me gripped from start to finish.
Great characters, brilliant back story, emotional resonance, big bad monsters and a multitude of magic. This blockbuster of a book has it all. Highly recommended.

Reviewed by Theresa Derwin Feb-2016 Published by Solaris

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George R R Martin

A STORM OF SWORDS by George R R Martin

In book three of this fantasy series, George R.R. Martin grabs you by the throat and doesn’t let go. After the first two books 'A Game Of Thrones’ and ’A Clash Of Kings’ the plot line still twist and turns with the freshness that so few writers can sustain for such a length of time. As the Guardian reviewer stated Its ambition to construct the Twelve Caesar’s of fantasy fiction, with characters so venomous they could eat the Borgias’. All I can say is move over Hannibal (The cannibal) Lector you’re a non-starter by comparison.
With the House Lannister in control of the south, the King of the North Robb Stark is holding his own against his enemies, but seemingly making little progress in wresting the crown from Joffrey Baratheon the first, son of King Robert I Baratheon but born of an incestuous relationship between Queen Cirsei and her twin brother Jaime Lannister. To the far north beyond ‘The Wall’ ancient enemies are stirring which could spell the end for all the warring Houses. The defenders of The Wall and thereby the defenders of the peoples to the south are not the force that they used to be, with the numbers in their ranks dwindling and made up from the dregs and prisoners that have managed to escape the hangman’s noose. Into this rich brew are thrown the Houses that have their own agenda in backing other claimants to the Iron Throne. If things could not get worse to the East the last survivor of Aerys II Targaryen, King of the Iron Throne killed by Robert I Bartheon is raising an army to retake the Iron Throne. With the political intrigue and marriages of convenience to cement alliances between the major Houses the minor Houses are seizing their chances to fill the power vacuum left by the warring factions.
George R.R. Martin has received high praise from many reviewers for this series and I can only add my congratulations for an epic fantasy series that I can't wait to read book four. A Song Of Ice And Fire I’m sure will go down as one of the all-time great series of Fantasy fiction this has, to quote one reviewer, superbly developed characters, accomplished prose and sheer bloodymindedness.
Also the vicious sting in the tail of A Storm Of Swords is one that comes as a total surprise to the reader. A must have series for all readers of Fantasy or Science Fiction!!

Reviewed by Chris Chivers Dec-2000 Published by Voyager

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George R R Martin & Gardner Dozois

SONGS OF THE DYING EARTH: Stories in honour of Jack Vance edited by George R R Martin & Gardner Dozois

Rog may still remember that meeting of the ‘old’ Brum group in 1963 when Cliff Teague showed me the newly published Lancer paperback of Jack Vance’s THE DYING EARTH. It was already the stuff of legend since it had previously only appeared in a old 1950 Hillman Books edition and was long out of print. Instantly I shot out of Charlie Winstone’s front room and caught a bus to the newsagent up the road who, fortunately for me, was still open, and even more fortunately, had one last copy on his rack. I was thrilled just to hold the book in my hands; it was wonderful, evocative stuff. Everybody thinks so.
But THE DYING EARTH is a hard act to follow and even Vance himself couldn’t quite manage to do it with the much later Cugel series. So, were other writers able to capture the same magic in this ‘tribute’ volume?
Most of the stories are set in familiar Vance locations (Almery, Ascolais, and so on) with established characters like the wizard T’sais, the witch Lith, even Cugel himself. They are told in the same overtly formal, archaic language, and in some cases even develop a tale from the original volume; for instance, Mike Resnick provides a clever prequel to “Liane the Wayfarer” while Phyllis Eisenstein offers a mannered sequel. The whole book has been put together in this way; twenty-two stories each trying to take us back to Vance’s world of the dying Earth.
They say that imitation is the sincerest form of flattery but I don’t know. It seems tome that there’s still something missing, some intangible quality. It might be Vance’s sly wit, or the incredibly careful way he selected his words to convey exactly the right shade of meaning. It’s a style which looks easy to mimic but I don’t think it is, and most of the authors represented here can’t pull it off; some of them come nowhere near.
Vance’s stories were written by a young, talented writer just commencing his professional life, bringing qualities of freshness and originality and heart-felt meaning. By comparison these have been turned out to order and for the most part are derivative and stale. Some are feeble and over-long, others are just silly. And by the end of the book I was starting to feel that I’d really had more than enough of the Dying Earth. So – not recommended!

Reviewed by Peter Weston Jan-2010 Published by HarperVoyager

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Paul J McAuley

ANCIENTS OF DAYS: The Second Book of Confluence by Paul J McAuley

McAuley's novels are not for the lazy reader. A deceptively simple
plot is lavishly embedded in the product of a fertile imagination. Ancients Of Days is the sequel to Child of the River in which Yama began his quest to discover his bloodline.
Confluence is a planetoid, dominated by a huge river. The people populating its length are descended from genetically moderated animals and the world is kept stable by machines. Yet no-one of Yama's bloodline seems to exist - they were the Builders who have long since vanished. On his journey, Yama is pursued by those who wish to use his abilities in the war currently raging against the Heretics, for Yama has discovered that he can communicate with and reprogram machines.
As Yama learns more about his situation and the history that led to the evolution of Confluence, so does the reader.
Sometimes, the information confirms what has been suspected, at others, it adds a new dimension. At the same time, it is the adventures of a youth growing into manhood. With this book, be prepared to be dazzled by the prose, wonder at the breadth of creation and work at the subtleties of the plot complexities. Pauline Morgan

Reviewed by Jan-2000 Published by Millennium

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When is a book a sequel? The question is not as easy to answer as it might first appear. In many minds a sequel is almost a continuation of the first book. It is a ‘what happened next’ story. So, is Paul McAuley’s INTO EVERYWHERE a sequel to SOMETHING COMING THROUGH? Chronologically, it is set after the latter and in the same universe.
In this scenario, alien beings known as Jackaroo turned up on Earth and offered humanity access to fifteen other worlds. They weren’t the first race to be given this gift as they found that all the worlds had traces of other civilisations. It was heaven for archaeologists. Some of the finds contained eidolons which infected the mind. They were ghosts of ancient technology and were a kind of algorithmic code that no-one completely understood. The hope was that studying them would allow greater access to advanced technology. At the end of SOMETHING COMING THROUGH an eidolon allowed space ships built by an Elder Race to be discovered, allowing almost unrestricted expansion into the galaxy.
INTO EVERYWHERE introduces us to two main characters. Lisa Dawes has an eidolon but it hasn’t done anything for years. Suddenly it wakes up. She learns that her estranged husband has been killed searching for alien technology and now the authorities want to find out what he has told her. Way across the galaxy is Tony Okoye. He is on a slime planet with a group of wizards (scientists) who hope the stromatolites there will contain ancient code. The expedition is cut short when they are attacked by another ship which wants to steal their finds. The novel follows both these characters in alternating chapters and each of them are facing pursuit because of the things others think they know or have. There are a couple of characters in common with both books. Adam Nevers, who is chasing Lisa, is an enforcer who believes all artefacts with eidolons in them must be quarantined. As an infected person, Lisa should be quarantined too. When he kills her dog in case it is infected, she is determined to stay out of his clutches. He is the nemesis of Ada Morange, a wealthy woman from the earlier book who is interested in finding and exploiting technology not supplied by the Jackaroo. Also appearing is an alien known as Unlikely Worlds who has been collecting the story of Ada Morange, and is known, at intervals, to both Lisa and Tony, though since it seems to be able to be in two places at once, it takes a while for the reader to be able to resolve the potential conundrum. In the context that the novel is partly a continuation of the rivalry between Ada and Nevers, this is a sequel.
Any good sequel will advance the story arc even if it is capable of being read on its own. INTO EVERYWHERE does this. It projects the finding of the alien ships into a future where the characters can discover more about the technology the Elder Races have left behind and find new places to look for the information to understand their place in a vast galactic history.
All this aside, Paul McAuley is a very intelligent writer. Not only can he weave enthralling narratives involving believable characters he can make alien technology feel alien rather than being an extrapolation of what we already know – a failing of lesser authors. His skill is something that any reader will be in awe of. He is an SF writer at the peak of his creative talent.

Reviewed by Pauline Morgan Dec-2017 Published by Gollancz

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MIND'S EYE by Paul J McAuley

If you put fifty people in a room and ask them to define science fiction, you will get fifty different suggestions. Ultimately, if both the questions, ‘Is it fiction?’ and ‘Does it include science?’ can be answered in the affirmative, then the writing in question is science fiction.
In his novel WHOLE WIDE WORLD. Paul McAuley took a concept that is already part of our daily lives, the internet, and extrapolated only a small way into the future to create a detective thriller that had all the excitement that readers of both science fiction and modern thrillers demand of their literature. In MIND’S EYE, McAuley is edging even closer to now. The US Army is still policing the situation in Iraq. The date could be anytime between last year and sometime in the next five. The political situation in the Middle East is relevant only in that it triggers the action of the novel and has a bearing on the direction the plot takes towards the end.
Alfie Flowers is a photographer but is the first to acknowledge that he is not as good as his father. Mick Flowers died somewhere in the Middle East soon after Alfie’s tenth birthday. The year before this, Alfie’s grandfather had died.
After the funeral, Alfie had taken a roll of paper from a hidden compartment in his deck, along with a pouch of grey powder. Alfie presumes that he tasted some of the powder and looked at the image on the paper. He doesn’t remember but since then he has suffered from epileptic fits. It has also made him sensitive to a certain type of pattern.
More than twenty years later, Alfie spots a piece of graffito on a restaurant window that makes his mind tingle. The frame of the anti-American image is a pattern of dots and dashes. Thinking that the artist, who signs himself Morph, could lead him to a solution to the problem that has dogged him since he looked at his grandfather’s paper, he decides to track down Morph. He enlists his friend, Toby Brown to help. As a reporter, Toby can get publicity for Morph which might bring him out into the open.
Alfie is not the only one interested in Morph. Harriet Crowley is a secret service agent. She also recognises the pattern Morph is using. Her grandfather and Alfie’s were colleagues and archaeologists. It was their excavations that originally uncovered the glyphs and recognised their significance. Harriet’s father had used the information to involve people in a cult set-up that went drastically wrong. Harriet also knows that Carver Soborin and Rölf Most are looking for Morph. Having obtained information about the glyphs and the drug from Harriet’s father they had tried to use them for commercial gain in Africa. The results had been horrific. Harriet wants to find Morph before they do and prevent them using them. She suspects they are looking for information to lead them to the original source.
To most people, the glyphs are just interesting patterns. To others, exposed to the drug they induce mental disturbances and can have psychological effects. Morph is using a fascination glyph which attracts attention to the cartoon it frames. After several deaths of people who have known Morph, Harriet and Alfie pool their resources. The trail takes them to the Kurdish region of Turkey, and then to Iraq.
This is a fast-paced thriller driven by the various needs of the characters.
Though the science element is small, it is significant, being the cause of the situations all of them find themselves in. MIND’S EYE will appeal equally to those who enjoy the Indiana Jones kind of adventure, as well as those who value good literature and a well told story.

Reviewed by Pauline Morgan Aug-2005 Published by Simon and Schuster

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Themes in Science Fiction tend to go in cycles. It is not just new writers or those from mainstream literature who are venturing into the field, thinking they have invented something totally new (and haven’t). In these cases, the book has to be exceptional for them to be excused the fact that they are ignorant of the history of the genre. When experienced writers who have a deep grounding of their craft and knowledge of what has gone before, take up a theme that has lain by the wayside for a long time it is worth taking note. Then when several well established writers publish books with similar themes in a short space of time, you start looking for the source of the synchronicity. Sometimes there is a trigger, at other times it is not obvious.
Here the theme in question is the arrival of aliens who offer technological gifts without first stating what they want in return. In 1964, Murray Leinster gave us THE GREKS BRING GIFTS and later Arthur C. Clarke produced CHILDHOOD’S END. By this time we should have realised that it was likely to end in tears as the citizens of Ancient Troy found out when they dragged the wooden horse into their city. However free something appears, there is always a catch. Then at the end of last year, Greg Bear published WAR DOGS (reviewed in Newsletter #520 – January 2015). Now we have Paul McAuley’s SOMETHING COMING THROUGH. Both have aliens appearing on Earth (before the start of the novel) and offering advanced technology. In neither case do the human governments spurn the gifts. In the former, Earth forces become engaged in a war on Mars against other aliens, in the latter, humans are given the technology and access to fifteen planets that they can colonise. These planets have had previous tenants. There is a good trade in smuggling Elder artefacts to Earth. Some of the artefacts are infected with eidolons, a kind of ghost that can alter the mind it interacts with.
The plot follows two different but overlapping strands. On Earth, Chloe Millar has a reputation for being able to spot the break-outs of aberrant behaviour caused by eidolons. She follows up a lead to a meeting of a burgeoning religious cult and finds Fahad, a youth who is obsessively drawing the same image, one that can be identified as an Elder site on Mangala, the planet where a bead in his sister’s bracelet came from. Ada Monrange is a very powerful and wealthy woman who is interested in finding technology not supplied by the Jackaroo – the beneficent aliens. She arranges for Chloe and Fahad to be smuggled onto Mangala to see what they can discover. This needs to be done without the Jackaroo knowing.
Meanwhile, on Mangala, policeman Vic Gayle has a murder to solve. The corpse has been shot with what appears to be a ray-gun (source and technology unknown). There were two killings some time previously using the same method but he was unable to find the evidence that his chief suspect was guilty. The trail of incidents and bodies lead him in the same direction that Chloe and Fahad are travelling.
The story is cleverly told with enough time separation between the two strands so that although the reader is playing catch-up they are ultimately able to complete the picture before the characters do. There are always coincidences in a novel such as this but without them there would be no complexity to the plot. Paul McAuley has finesse in his writing which is why I prefer this over the Greg Bear.

Reviewed by Pauline Morgan Apr-2015 Published by Gollancz

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Some authors will bludgeon the reader over the head with their superior knowledge, either because they have done a lot of research and don't want to waste any of it, or because it relates to their previous job.
Paul McAuley is able to draw on his knowledge and paint a picture in deft strokes, as if he is gently letting you into a secret.There are several related problems that form the main thrust of the novel. There is the search for life on Mars. The Chinese claim that they haven’t discovered anything there, but are very secretive about their explorations. Then there are the slicks that have appeared in the Pacific Ocean that are killing marine life - although no-one will admit it. NASA intends to mount an expedition to discover what the Chinese have discovered, but their choice of personnel is influenced by money, in particular that provided by the Cytex organisation which is continuously looking for the profit margin in all of it.
6 Mariella Anders is a microbiologist whose work is highly acclaimed. However, she doesn’t like the idea of selling her soul to a big corporation. She is altruistic, believing that knowledge should be shared, not parcelled out to the highest bidder. She is delighted to win a place on the next flight to Mars - but not by who she has to travel with.
This book is delightful to read, and thought provoking at the same time.

Reviewed by Pauline Morgan May-2001 Published by Voyager

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McAuley began writing with out-and-out space opera, but has since branched into a whole variety of other areas including apocalyptic near-futures. Here he has combined both trends in a story based on biogenetics, a subject which is beginning to emerge as a leading topic in SF and to become a further example (if one were needed) of the way in which SF mostly follows trends in contemporary scientific culture rather than leading or directing them. The story tells how a Chinese expedition discovers microbial life on Mars and brings back a sample which escapes into the environment. An American expedition is then mounted to in an attempt to obtain further samples and discover how to counter the global threat which has been caused.
This is science fiction writing of the best kind. It eschews gung-ho adventure but is an engrossing story of scientific extrapolation concentrating on working scientists who are also real people with real motivations shaped by personal histories and strengths and weaknesses of personality.
McAuley has obviously done a great deal of homework; his descriptions of Martian geology and geography must surely come from a detailed knowledge of the results of recent explorations; failing that I can only say that his imaginings (if that is what they are) have an amazingly authentic sound to them. Additionally, his background as a research biologist comes over in his fascinating accounts of how research in this area goes on - not just the science itself but also the politicking behind it and he also has something to say about the moral issues surrounding aspects of scientific research and discovery.
To be realistic, I guess this will not go down in history as one of the all-time great novels of the 21st century, but it is a really excellent book nonetheless.
Reviewed by Michael Jones Oct-2001 Published by Harper Collins

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Some authors are able to construct complex alien worlds, some can extrapolate weird far future scenarios, some imagine strange space adventures for mankind or conjure near future thrillers. In various of his books, Paul McAuley has done all of these. WHOLE WIDE WORLD is near future crime. Although a cop, John Dixon has always been sidelined into the essential kinds of jobs that involve filing and information. In the beginning he is merely been given the job of collecting a couple of computers from a murder scene in order to retrieve any useful data that might be on them. The problem is that the hard drives have been stolen though it quickly becomes clear that the murder was broadcast over the Internet.
Superficially, the novel has the form of a conventional crime thriller. The detective has problems with relationships and doesn't always obey authority. He uses the usual techniques to gather some of the clues and there are a number of possible suspects. The difference is that this is set at least ten years in the future. Between now and then there has been a revolution in British society. It has become more isolationist and much more of a ‘nanny state’. The web is tightly controlled, even the mildest kind of pornography is taboo and almost everywhere you go - especially in London - you are tracked by cameras.
The pace is fast, the story telling is slick. Some of the characters are a bit conventional, but the setting is subtly drawn and for those who wish to see it, there is a warning. It is very easy to imagine that many aspects of this future are not only feasible, but are almost with us. Paul McAuley has seen the future and I don't think I like it. I liked the book, though, a lot.

Reviewed by Pauline Morgan Dec-2001 Published by HarperCollins

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Anne & Todd McCaffrey

DRAGON’S TIME by Anne & Todd McCaffrey

Todd McCaffrey began a sequence of novels set in his mother’s creation, the planet of Pern with its thread-fighting dragons.
The first four volumes have had their problems but in this, the fifth, Anne has taken a hand. The difference is noticeable as the characters are more deftly portrayed and the plot is more complex. There are still problems, many arising from what has gone before.
Set at the beginning of the Red Planet’s third pass near Pern, there are insufficient dragons to keep the thread falling on the ground and destroying the vegetation.
At the end of DRAGONGIRL, Lorana leaps forward in time to try and bring back dragons from the next interval, knowing it will cost her her unborn child. She believes she has failed and is forced to look for a different solution. On a dragon that she has borrowed from another rider, she does a lot of time hopping, leading Fiona back to the empty Igen Weyr so that the young dragons can grow up in the past (see DRAGONHEART). Now she has to find another place to do the same with the next batch of weyrlings.
Although this novel explains some of the incidents that have occurred in earlier volumes in the series, it is introducing new concepts. Not enough time is spent on some of the more interesting aspects, such as the story of Terin and F’jian and there is far too much emphasis on babies.
If some of the terminology sounds confusing, then do not start here; go back to the original beginning and DRAGONFLIGHT.

Reviewed by Pauline Morgan Sep-2011 Published by Bantam

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Anne McCaffrey

THE SKIES OF PERN by Anne McCaffrey

When Anne McCaffrey writes about Pern and its dragons, she is as magnificent as ever. These books have a sparkle that is missing in too many of the collaborations.
THE SKIES OF PERN takes off after ALL THE WEYRS OF PERN and focuses on F’Lessan, F’lar and Lessa’s son.
Although the Red Star has been diverted, thread is still falling and all the pressures on the dragons and their riders is still present.
To add to the confusion is the belief by some holders that dragons are no longer needed - or soon won’t be. Also, there are some people who think that the new technology, rediscovered with the finding of the colony’s original landing site, is an anathema and should be destroyed or resisted at all costs.
Into this scenario falls a cometary fragment.
The resultant tidal waves destroy many coastal holdings. The up side, and developed within the novel, is the discovery that the dragons have the power of telekinesis. This suggests a hope that the dragons will still have a role after the final strands of thread have drifted from the skies.
The people in this period of Pern's history seem to have extremely eventful lives and sometimes it seems that the solution of the problems is solved a little too easily. However, this book is guaranteed to pass away an idle hour or two of pleasant enjoyment.

Reviewed by Pauline Morgan Apr-2001 Published by Bantam

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The Tower and the Hive by Anne McCaffrey

What Anne McCaffrey started with ‘The Rowan' back in 1990 has taken nearly a decade to complete with this the fifth book in the series and it has not lost any of its strength in story telling over the years.
The first book in the series introduced us to the FT&T of Earth, a group of people with Psi powers and the shout of help from the humans on Deneb who are being attacked by an unknown alien race. With the defeat of the Hive‘s invasion of Deneb, the stage was set for the dynastic tale of the Rowan and her husband Jeff Raven and the next generations of the Raven clan. Also fighting the Hive, are the Mrdini who’s worlds have been attacked for generations, and when contact is made between the Mrdini and Humans The Star League Alliance is eventually formed. With the battle being taken to the Hive rather than simply defending against their incursions Humans and Mrindi start to trace the source of the Hives home world.
The following books in the series, Damia, Damia’s Children and Lyon’s Pride written over the following four years chart the growth of the FT&T as well as the swelling numbers of the major clans within the organisation. The fight to control the Hives incursions into the Star League Alliance continues unabated. The young of both species being brought up together strengthen the bond between the Humans and Mrdini. As the Star League Alliance expands the search for more Telepaths and Tele-kinetics to help communications and the flow of trade between worlds is an ongoing headache for Jeff Raven ‘Earth Prime’.
In this the fifth book of the series ‘The Tower And The Hive’ the search for worlds that have been colonised by the Hive goes on, but during the quest, subtle differences between the Hive Queens is noticed. Also that the Hive sphere’s don’t always pick what the Human Mrindi alliance consider suitable worlds to colonise. The search for the answers and a possible way to control the Hive is an elusive question to answer. As well as this quest for knowledge concerning the Hive there is murmuring’s of discontent from certain elements within the FT&T who are not related to the prime talents within the organisation and have not received the power that they think is rightfully theirs.
Once again Anne McCaffrey has produced a novel that shows no signs of her imagination flagging. To intersperse a series of five books spanning a decade with other great works of Science Fiction is truly amazing. The freshness of each novel in the series goes without question, and this is a must for all the Anne McCaffrey fans out there.

Reviewed by Chris Chivers Sep-2000 Published by Corgi

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The fifth book and advertised as the last in the sequence that started with The Rowan. Very much a sequel with characters carrying forward such that reading previous books is a necessity. The heroes and heroines are psionics showing they are the best. The transportation of spaceships is by teleportation assisted with mechanical energy and communication is by messages sent the same way or by telepathy. This makes the universe small enough that any character can interact with any other. A comfortable read in the style of a soap but aiming for the grandeur of space opera.
Reviewed by Anne Woodford Aug-2000 Published by Corgi

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Todd McCaffrey

DRAGONHEART by Todd McCaffrey

Some concepts seem to endure. The Dragonriders of Pern and their adventures have that quality. Created originally by Anne McCaffrey in 1968, the telepathic dragons have gained a huge following. After several collaborations with his mother, Todd McCaffrey has taken on the mantle.
DRAGONHEART is set five hundred and seven years after the landing of the first colonists on Pern and is the middle book of a related trilogy. Thread, the deadly organism that falls from the Red Star onto Pern when the cometary body crosses the orbit of the planet, is due to start falling very shortly. The population of Pern has been greatly reduced by a plague and the dragons are falling sick. Fiona, the only surviving daughter of the Lord Holder of Fort Hold, has just impressed a gold dragon.
With dragons dying and numbers diminished due to natural wastage in the safe Interval, and due to injury and inexperience when the Thread does come, there will soon be insufficient dragons to keep the planet clear. It is decided to send some of the injured and all the young dragons back ten years in time (dragons are able to travel between instantly in time and space) so that the injured can recover and the young can grow up and be trained. Fiona with her gold dragon is taken as Weyrwoman to an abandoned Weyr. Although she is only thirteen turns old, she has to take on the responsibility of organising the Weyr and making sure there is food and other supplies for both dragons and men.
Although the writing and the understanding of the culture of Pern are immaculate, this particular book does not sparkle. The emphasis is on the day to day problems of running a Weyr. There is no sense of a danger where the main characters may not survive, so tension is lacking and the emotional charge is neutral. As it skims across a number of turns (Pern’s years) the characterisation also seem a little skimpy. Even the sickness the dragons suffer from, disappears once they go back in time. What this book is doing is filling in gaps, explaining how situations in other volumes happened. It is a light, pleasant read but there are stronger ones within the series.

Reviewed by Pauline Morgan Apr-2010 Published by Corgi

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Jack McDevitt


There’s a fairly long review quote from Stephen King on the back of this book. In part it says, ca nail-biting neo-Gothic tale that blends mystery, horror and a fascinating look at how first contact with an utterly alien species might happen.’ Somehow, despite everything, it didn’t work for me. There were certainly bits that were scary. There were bits that were interesting and Kim Brandywine, heroine of the book, was sufficiently real to me that I wanted to give her a bloody good shake but I wasn’t gripped. If it hadn’t been the only book I’d got with me on the plane I’d have dumped it back onto the review table with the hope that someone else would pick it up.
Kim works as a marketing person for the Seabright Institute who are turning stars nova in an effort to attract aliens, in a universe that seems empty of other life. (Naïve? Yup.) Some years ago her older clone/sister disappeared after returning from an expedition to find life. This loss has affected Kim deeply. It seems to have turned her into the sort o f person who would carelessly risk her own and other people’s careers, and indeed lives, out o f curiosity. Inevitably she sets out to investigate what happened all those years ago with massive consequences.
It’s difficult to say quite why I found it so uninspiring. Certainly I found the reliance on individual stupidity and misjudgement to be irritating with Kim being a particularly splendid example. The scary bits were pretty damn scary but somehow didn’t come to anything. The mystery looked interesting but again, was finally revealed to be fairly mundane. It is a well written book which I found, ultimately disappointing.

Reviewed by Yvonne Rowse Apr-2000 Published by Voyager

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This is a novel on the familiar theme of First Contact but as one has come to expect from this author, it is here given a new and different treatment. It actually begins as something more like a mystery or detective story as Kim Brandywine, a young professional scientist, is drawn to investigate an interstellar exploration mission which took place twenty-seven years previously.
The mission returned prematurely and three of its four members, including her older ( clone ) sister soon after died or disappeared under circumstances which were never satisfactorily explained. Having solved that mystery, more or less, she manages to repeat their discovery with more success and all is happily resolved.
The background is that no evidence of other life in the universe has been discovered after a thousand years or more of searching and the human race is coming to accept that it is alone. The title compares the discovery of intelligent life to a lightning flash, but one which comes slowly because of the time taken for the discovery to be made. It is also an apt title for the book itself, which is quite slow-moving, particularly at first. Strictly speaking it is not until a third of the way through that contact becomes a strong suspicion and even longer before it is seen to be definite - the reader of course knew all along, especially having read the prologue. Slow or not, however, it never fails to grip the attention and I stayed up until 2.30 a.m. to finish it!
There is a well-defined subtext going on behind the scenes in which McDevitt discusses why we need to explore the universe, why we need to find other intelligence and how bad it would be for humanity’s future if a failure to find the latter were to put an end to the former. Familiar Sf tropes, but here thoughtfully spelt out and successfully integrated into the story.
If the book has a serious fault it is that everything is a little too pat. Kim Brandywine always knows what to do and is always able to get others to help her so that all her schemes work out. Even when she seems to be in trouble it is obvious that nothing irreversibly serious will happen to her and the drama and excitement of wondering if she might fail is not really there. Having said that, it remains a thoughtful and well-written piece of science fiction by one of the best authors around.
Reviewed by Michael Jones Jan-2001 Published by Voyager

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Ed McDonald

BLACKWING (The Raven’s Mark 1) by Ed McDonald

In recent years, there has been a rise in popularity of fantasy labelled as “grimdark” for works which are seen as particularly violent, with cynical flawed heroes and often dystopian worlds. Writers such as Joe Abercrombie, Mark Lawrence and Richard Morgan have been particularly successful in this field. By those criteria, BLACKWING could be classed as fitting this type of novel.
Ryhalt Galharrow is a disgraced nobleman who has pledged himself to the service of a powerful being called Crowfoot. This is marked by a raven tattoo on his arm, which gives him the rank and title of Blackwing. With his disreputable crew, he tracks anyone who flees the Republic into the twisted, distorted and deadly border region called the Misery. The Misery was created as a defence against The Deep Kings, other powerful beings who wish to overthrow the Republic. For eighty years, the Misery and the threat of Nall’s Engine (a powerful magical device) have maintained the stalemate with the Eastern Empire and the Deep Kings.
After years of silence, the tattoo rips from his arm and delivers a message; he must protect a mysterious noblewoman who is visiting a nearby frontier fortress. However, he finds complacent, poorly-trained troops and ill- maintained defences. While he is there, the fortress is breached and overrun by invading troops. The famed Nall’s Engine fails to activate and he escapes only because of the magical abilities of the woman (Ezabeth) he is supposed to be rescuing. They then work together to uncover the traitors and to try and restore the Republic’s major defences before an emboldened army led by the Deep Kings can destroy them.
This is the debut novel by a new author and definitely shows promise. The premise is different and does not feel too familiar. There is good pacing and the story fairly rattles along. The world building including the Misery and the gruesome agents of the Deep Kings (Darlings, Brides etc) all show excellent imagination and make a welcome change from the stock orcs, goblins etc. In terms of grimdark, I am not sure it is a completely accurate description – the protagonist although outwardly cynical, is very much a hero in terms of his actions and motivations.
Where the novel feels it could be improved is in the characters. The two main characters, although they have some flaws and back stories, feel almost too competent, and I found myself a little emotionally detached from them. Also, the secondary characters would benefit from more detail and attention to their back story. Nenn (Galharrow’s second in command) felt like a far more potentially interesting character than the magician, Ezabeth and I hope she is given more time in the next volume. Part of the problem I had may be with the story all being told from Galharrow’s point of view, which always makes it more difficult to convey other characters’ thoughts and opinions. To summarise, this is an auspicious start from a new author who I am sure will continue to improve, and BLACKWING will appeal to many fans of gritty fantasy.

Reviewed by Carol Goodwin Aug-2017 Published by Gollancz

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Ian McDonald

LUNA: NEW MOON by Ian McDonald

In Ian McDonald’s LUNA: NEW MOON, the Moon is being colonised and exploited for its unique resources and environment. The moon colony is like an extreme “gold rush” frontier town. Ostensibly overseen by Earth, via a Lunar Development Corporation, in reality there is little law other than contract law, which governs everything and even court cases can be settled by trial by combat. For those who succeed the rewards can be rich but in a world where everything even oxygen must be paid for, failure can be fatal. Five major family corporations, the “Five Dragons” control much of the wealth and industry and the story looks at the growing tensions between two of the families, the Corta’s (who mine Helium-3 which is vital for Earth and Moon power generation) and the Mackenzie’s (who make their money from metal extraction). These families have been there from the early days and have used arranged marriages to cement alliances and settle disputes. As Adriana Corta, the Brazilian-born matriarch approaches her 80th birthday, internal family struggles over the succession and escalating tensions between the two families over control of resources erupt and change things irrevocably.
This is a complex and detailed story told from multiple viewpoints. The characterisation of so many different yet essential characters is superb. The society the author has imagined is a multi-cultural melting point, with people from all over Earth forging a new life on the Moon. The detailed research into societies as diverse as Brazilian, Ghanaian and Chinese is evident. This research also shows in a consideration of the necessary science, technology and biology involved in this intricately constructed world.
While any SF novel based on the Moon will inevitably be compared to Heinlein’s THE MOON IS A HARSH MISTRESS, this book also reminds me in a lot of ways of DUNE (Frank Herbert). It has that same sense of a society shaped by its environment, and the same atmosphere of families and corporations constantly manoeuvring for advantage and survival in a harsh environment. Another similarity is that there are also hints of religious and other groups starting to make long-term genetic and societal evolutionary plans. This sense of a cultural evolution of humanity (exiled permanently from Earth as their bodies adapt to lunar gravity) on a new world and the detailed worldbuilding also reminds me of Kim Stanley Robinson’s Mars series. This is masterful, adult SF and I can’t wait to read the sequel, LUNA: WOLF MOON.

Reviewed by Carol Goodwin Sep-2017 Published by Gollancz

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LUNA: WOLF MOON (Luna 2) by Ian McDonald

In the first book in this series, hostilities between two of the five major lunar families (the Five Dragons) erupted into open conflict and warfare. At the end of that book, the Corta family was decimated and the remaining members were scattered, taking refuge with other families or groups. Clan Mackenzie appears triumphant and has acquired control of most of Corta company’s previous holdings.
As the remaining lunar Corta’s try to rebuild their lives, one of the senior Corta’s has escaped from the Moon during the initial upheaval. Believed dead, they have room to manoeuvre and recruit allies. Over the two intervening years they have plotted and conspired with the aim of exacting a vicious and elaborate revenge. As that revenge comes to fruition, many inhabitants of the Moon will find their lives and livelihoods massively disrupted and lunar society will be changed forever.
The author delivers yet another hugely satisfying thriller. The reader is again drawn into the conflict between ruthless families. This time we see more of other lunar groups than just the Corta’s; the Mackenzies, ostensible victors at the beginning, who fragment into two factions as events progress; the Sun’s, Asamoah’s and Vorontsov’s, as they jockey for advantage amidst the disruption; and the loosely bound Wolf groups and the quasi-religious Sisterhood who help shelter some of the remaining Corta’s.
Once again, the level of detail in the world building is exemplary. There is a large cast of characters (a Character list is provided and is very useful) which may deter some readers. However, most are sufficiently dissimilar and differentiated that the reader is not confused. In fact, I found this large number of viewpoints and personalities a major part of the richness and depth of this book. The author has succeeded in creating a capitalistic, machiavellian society where people must be hypervigilant among the backstabbing rivalries. Nevertheless, it is not all one-sided and there are also examples of love, selflessness and sacrifice which keep this from being a bleak novel. Also among the believable technological advances and the merging of different cultures, there are hopeful signs of a unique, lunar society evolving, separate and different from Earth. A wonderful hard SF novel with a fitting conclusion that still tempts the reader onwards with the many issues remaining to be resolved in the third volume.

Reviewed by Carol Goodwin Oct-2017 Published by Gollancz

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RIVER OF GODS by Ian McDonald

I have not previously got on very well with Ian McDonald’s work but this is different – a great big coruscating blockbuster of a novel, one of the best I have read for some time. It takes place in 2047 on the Indian sub-continent, now divided into twelve semi-independent nation-states, a setting which is as alien as many a distant planet. Law and order is a tenuous concept at best, corruption is everywhere, but the central most important theme is that the proliferation of computer systems has led to the emergence of self-aware artificial intelligences which are trying to escape human control in order to pursue their own incomprehensible agendas.
The story is told from the alternating points-of-view of several disparate characters, one of whom becomes involved in the exploration of a strange object which has been discovered approaching the Earth from outside the solar system.
Meanwhile, another makes the discovery that an A.I. is not merely generating CGI characters for the most popular soap on TV but is also providing CGI ‘actors’ to give them an off-screen persona. Eventually these and other narrative threads come together to provide a denouement which is as remarkable as it is unexpected.
New, inventive, wide-ranging and strange, this is by any criterion a firstrate novel.
Reviewed by Michael Jones Aug-2005 Published by Gollancz

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Seanan McGuire

ROSEMARY AND RUE (Toby Daye Book 1) by Seanan McGuire

October (Toby) Daye is a changeling - half human/half fae and a knight of the Summerland Court. Things get a little fishy for Toby when she's tailing Simon Torquill, twin brother of her liege, Sylvester Torquill. And by fishy, I'm being literal; no fancy metaphors here. Simon uses his power to turn Toby into a fish where she flounders in a pond for fourteen years until the spell breaks and she is found naked and disoriented, the apparent victim of an attack.
When she tells the police who she is they are in uproar at her for impersonating a dead woman. So she has no choice but to retain a human disguise and work the night shift at the local Safeway, dealing with the loss of her partner Cliff and daughter Gillian who wants nothing to do with her after she reappears fourteen years later.
However Toby can't ignore Faerie much longer when her friend Countess Evening Winterrose phones her, in trouble and sounding scared. And she is on the case before she can blink.
Blending magic, fae mythology and the sprawling city of San Francisco, McGuire puts the 'urban' and 'fantasy' in equal measure back into this busting-at-the-seams genre. It is at times over-saturated but McGuire's combination of a truly sassy, likeable female hero, her supporting cast, and the murder mystery elements make this book stand above the rest. It is written with a wonderful wry sense of humour and Toby has to deal with attempts on her life as well as attempts on her chastity by ex-lover Devin, whilst building up a whole host of debts to various fae including the annoying, yet alluring Tybalt, Cait Sidhe and King of Cats.
The initial murder mystery is wrapped up nicely by the end but the book does leave lots of questions open for the following book. A rollicking good read.

Reviewed by Theresa Derwin Nov-2015 Published by Corsair

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Patricia A McKillip


This may be the best of all fantasy novels. Not the longest, not the most subtle, not the most original. Yet it’s full of love, hate, revenge and fear, put across with a youthful exuberance which the best fantasy must possess.
Patricia McKillip was 26 when this was first published (in 1974).
Similarly, Poul Anderson was 28 when THE BROKEN SWORD was published, and Peter Beagle was only 20 when A FINE AND PRIVATE PLACE first appeared. Older writers may be more experienced, more polished, but they are too cynical to believe in love or to write with the necessary lack of restraint.
Believe me, I know.
THE FORGOTTEN BEASTS OF ELD is magical in more ways than one. Sybel is a young woman with considerable magic powers, who lives happily alone except for a few fabulous beasts: a lion, a cat, a boar, a falcon, etc., whom she controls and communicates with. She agrees to look after Tam, a baby cousin of hers, and because he is heir to a throne she is forced to take sides in a war between kingdoms. Tam is on one side and the man Sybel loves is on the other.
Okay, so the plot does creak a bit, but it still offers plenty of surprises.
The story is told in the most beautiful poetic language, full of metaphors and similes, only occasionally venturing into the purple. Even the beasts have melifluous names: the Cat Moriah, the Swan of Tirlith, the Liralen. Read almost any page of the novel aloud and it sounds like an incantation.
Cleverly, McKillip creates legends as she goes along, helping to persuade the reader that, spiralling outwards from Eld, are many kingdoms, many wizards and witches, and a heritage of myth and legend which has built up over centuries.
It is important for you to know that no Forgotten Beasts are harmed during the unfolding of this story, though a few men do die, some nastily.
A wonderfully satisfying novel, highly recommended. Chris Morgan

Reviewed by Feb-2006 Published by Gollancz Fantasy Masterworks

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Suzanne McLeod


Urban fantasy is the umbrella that includes contemporary supernatural fiction and includes vampires and other creatures of folklore.
Unusually for this field, this series of novels are home grown and set in London. This is the third featuring Genny Taylor. She is the only full-blooded sidhe in the city even though her father was a vampire. Although she cannot cast spells she can absorb them or crack them. Her job with is to remove spells from places they shouldn’t be and round up mischievous sprites, like the pixies that rampage through Trafalgar Square.
This London is not one that we are familiar with since very few humans play a part in the action. The police force seems to be staffed by trolls and witches. It is they that call in Genny when a dead faeling (half human/half fae) is found in the Thames. She is asked to remove the spells that the body is wrapped in – a glamour and a stasis spell that stop the body fading. This seems easy enough but she is then arrested for stealing the stun spell which she used on a dryad who would not take no for an answer. Even before this moment, Genny had problems. All the other supernatural beings want to break the curse which prevents the birth of new, full-blooded fae. They think that if she had a child the curse will be broken. Thus she is pursued by suitors trying their luck. As she gets drawn into the powerplay between vampires, witches and goddesses, she begins to uncover more about her own background than she really wished to know.
Although this is a clever, action-packed novel the series has reached a point that to fully appreciate the nuances it is better to start with volume one, THE SWEET SCENT OF BLOOD.

Reviewed by Pauline Morgan May-2011 Published by Gollancz

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Richelle Mead

IRON CROWNED by Richelle Mead

IRON CROWNED is the third part of the Dark Swan urban fantasy series which is the continuing story of Eugenie Markham, a Sharman-for-hire. However, to best appreciate this book, it is virtually essential to first read the STORM BORN in which she is first introduced, and THORN QUEEN its sequel.
Eugenie is a Gentry – a human half breed who, when she is not banishing entities trespassing in the human world, is trying to learn how to be Queen of one of the Gentry kingdoms, the one known as the Thorn Land. To complicate matters her biological father was the feared ‘Storm King’ and there is a prophesy that the first born son of the Storm King’s daughter will conquer the human world, so naturally many Gentry want to father that child, by force if necessary. Eugenie however, is not the only daughter of the Storm King; she has a young teen half sister Jasmine who wants to be the one who fulfils this prophesy. Unknown to each other before the events of the first book, they have a hate relationship that gradually turns to respect and possibly fraternal love.
Romantic interest and support in the Otherworld is provided by Kiyo who is a half breed Japanese Fox Spirit, who can shape-shift into any kind of fox, and Dorian the Gentry Oak Land King whose magic gives him mastery over earth and stone. To further complicate things while Dorian is in favour of the prophesy coming true Kiyo is not. Is Kyio truly on her side as he spends much time supporting his ex-partner Maiwenn, the Willow Queen who is strongly in opposition to the prophecy, and is about to have their child? Can she fully trust Dorian, as he too has his own agenda and tends not to fully explain things to her.
In IRON CROWNED Katrice, Queen of the Rowan Land, is pursuing a war against both Eugenie and Dorian, the origins of the conflict being described in THORN QUEEN. Horrified by the level of casualties, Eugenie is persuaded to try to find and win the fabled Iron Crown which is so powerful a magic object that it is believed that possessing it will scare Katrice into surrendering. What are its powers? Will the cost of using them be greater that the benefit?
Richelle Mead writes a well constructed, fast moving novel set in an interesting world with well fleshed out characters. I thoroughly enjoyed all three of the books in this series and look forward to the next one

Reviewed by Jim Pearce Jun-2011 Published by Bantam

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I dislike seeing items described as ‘Must Have’ when I am out shopping, many things are but most of those so labelled are not. However being a ‘bookaholic’ certain series by particular authors are to me ‘Must Haves’, a novel in Richelle Mead’s Georgina Kincaid urban fantasy series is one of these. SUCCUBUS REVEALED is the 6th and possibly final book in the series which chronicles the story of Georgina Kincaid a succubus and her, quite pure, passion for author Seth Mortensen. Both are engaging characters and following their tale is a great pleasure. Georgina may be a member of Hell’s Legions, but she is smart, funny and compassionate having sold her soul to the Devil in order to save others from harm. Adding breadth to this and the previous novels are her Seattle-based mundane and ‘infernal’ friends, a somewhat disreputable angel as well as Seth’s delightful family who are suffering more than their fair share of misfortune. In SUCCUBUS REVEALED all seems to be going well in her love life when she is suddenly given notice requiring her to move to Las Vegas, a seemingly ideal location for a succubus. When she gets there everything seems too good to be true while misfortune hits Seth’s family. To solve these mysteries her Seattle friends rally round, especially the nephilim, Roman and the angel Carter. To resolve matters requires a trip to hell and, as is to be expected, getting back is by no means guaranteed. One of the things that I like about SUCCUBUS REVEALED is that although it is part of series and full of well-fleshed engaging characters, it is eminently readable by itself and a reader is not disadvantaged if he/she has not read any of the previous five books. The whole of the Georgina Kincaid urban fantasy series is an excellent read.

Reviewed by Jim Pearce Nov-2011 Published by Bantam

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John Meaney

ABSORPTION by John Meaney

John Meaney is a clever and complex writer. He weaves seemingly unrelated stories together to make a greater whole.
In this novel there are at least five strands scattered throughout time, each with their separate characters but with the hint of a common theme.
Ulfr is a warrior of a Northern clan in 777AD. He believes in the trickery of the Norse gods. He perceives the travelling bard Stigr as touched by darkness even though his oratory entrances the rest of the tribe. Gavriela Wolf, a German Jew and a physicist in the 1920s sees the same phenomenon when she spies on a local meeting and observes Hitler entrancing the crowd.
In 2146, Rekka Chandri is the member of the human exploration team that makes contact with the sentient natives on an unnamed planet. The local people communicate by scent and transfer knowledge directly by tasting each other’s flesh in ritual situations. One of her friends back home is a pilot who, in order to navigate muspace, has had her eyes replaced.
Further in the future in 2603, Roger Blackstone is just starting college on Fulgor. He notices a darkness lingering around his tutor but is too busy making friends and studying to let it worry him. His father, Carl, is a descendent of the pilots of 22nd century Earth but is genetically adapted to operate in mu-space.
He has been a spy on Fulgor for twenty years.
Roger, Gavi and Ulfr each dream that they inhabit crystal bodies in some far future place. They occasionally get waking visions of each other.
Most of the action takes place on Fulgor as one of the Luculenti hierarchy, Rashella Stargonier, discovers an artefact buried on her estate. When she opens it, she is infected by a vampire code which eats its way into her neural paths. She and all the other Luculenti are connected to the Skein, the communications web of the planet as are all the services of the city. She finds that she can connect with and devour the neural information of others, leaving them dead. The hunger to gather this knowledge accelerates putting the whole city in peril.
By the end of this volume, the first of three, it is possible to see loose connections between the disaster played out on Fulgor and the characters in the past. The links, however, are not yet strong enough to see the true pattern emerging. Possibly Meaney has introduced too many strands, too quickly, to do the overall shape full justice. Buy this book, but save it until the subsequent volumes are published before reading them.

Reviewed by Pauline Morgan May-2010 Published by Gollancz

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China Miéville

EMBASSYTOWN by China Miéville

China Miéville is a versatile writer who can demonstrate the true subtleties of science fiction. The Embassytown of the title is a far flung outpost of humanity and is an enclave within the city of the Ariekei, an alien species who speak Language simultaneously through two mouths. They do not recognise sounds as speech unless produced this way so Ambassadors are doppels who have learnt to synchronise their speech. Other humans can understand the Ariekei but are not heard by them.
Avice was born in Embassytown but left to become an immerser – one of the people who can navigate the currents between worlds. She returns to Embassytown after a long absence with her fourth spouse, Scile, a linguist who wants to study Language. The problems start when Bremen, the administration centre of the colony, sends an Ambassador who is not home grown. These pair are very different people. The first time they speak to the Ariekei their combined voice has a strange effect. The Ariekei become addicted and the addiction spreads in such a way that the civilisation of the Host species begins to break down, endangering the existence of Embassytown.
This is a compelling tale for the intelligent reader. Much of the set-up is not explained and has to gleaned by inference – terms and devices that Avice is familiar with are not explained, she assumes the reader knows, in the way that a contemporary writer does not explain television. The themes beneath the plot concern the nature of language and the different ways of thinking rather than the interpretation of words and the ways misunderstandings can easily occur. It is the kind of book that can stimulate debate.
My only quibble is that Avice is not totally convincing as a female character.

Reviewed by Pauline Morgan Jul-2011 Published by Macmillan

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KRAKEN by China Miéville

It is rare to find a writer who does not feel that they have to explain every obscure reference to a reader. China Miéville is an intelligent and knowledgeable author who treats his readers with the same consideration he would expect himself.
KRAKEN is a complex novel dealing with arcane knowledge. It starts ordinarily enough with a young curator, Billy Harrow, leading a tour at the Natural History Museum in London. When he leads them into the room with the exhibit they have really come to see, they find it has vanished.
Since the exhibit in question is an eight-foot long specimen of a giant squid in an even larger tank of preserving fluid, this is apparently impossible.
The London of KRAKEN is not quite the same of ours, at least, not if you scratch the surface. There are a lot of religious cults, many of which have predicted Armageddons (most of which don’t happen on the prescribed date).
Many people have a ‘knack’, a way of using a supernatural power – hunches are accurate, Londonmancers can read the entrails of the city. One of the criminal masterminds has been reduced to a Tattoo on an innocent man’s back, from which he runs his organisation. No-one knows what is going on, but most agree that the world is going to end in a couple of days and it is somehow connected with the disappearance with the squid. One of the cults with an interest is the Krakenists. They regard the Kraken as their god and the missing squid, although dead, is an ambassador. They haven’t got it, though everyone thinks they have or that Billy knows where it is. He hooks up with Dane Parnell, a Krakenist to search for it. The hope is that finding the squid will avert the portending apocalypse. They find an unlikely ally in Wati. In ancient Egypt, Wati was a soul placed into a shabti to serve a rich man after death. Somehow he began to think for himself, wonder what he was getting out of the arrangement and persuaded the other slave-souls to go on strike. Thousands of years later he is still striving for workers’ rights and has, as convener for the Union of Familiars, called all familiars in London out on strike. As a disembodied soul he flits from statue to statue organising the strike and keeping a watch out for who might have stolen the squid.
This urban fantasy novel is an example of some of the best genre writing around today.

Reviewed by Pauline Morgan Feb-2011 Published by Pan

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Karen Miller


This is the first part of a two-part series about Obi-Wan Kenobi and Anakin Skywalker on a secret mission to a small and seemingly insignificant planet to investigate the development of a bio-weapon by the Separatists.
I’ll start with the good points. It is clearly written, the Star Wars universe hangs together well, and the writer gets the Star Wars feel to the book across well. Some of the characters are portrayed with interesting conflict and for a two- part series the slower pace of the book is acceptable. I genuinely believe that movie and film tie-ins are a way to introduce people the wider SF genre, and so when reading this book I took two points into consideration – firstly, whether it represents the Star Wars genre well, and secondly, how it might fare in the SF genre as a whole. Unfortunately this book is a disappointment to the Star Wars franchise, let alone to the genre.
The main problem with this book is that there is a lack of understanding about the characters to the point where it became painful to read. Anyone who has watched the Star Wars movies will know that Jedi adhere to a strict code of discipline and morality; they spend years in training, they are often diplomats in peace negotiations, they are wise and akin to warrior monks. This book has constant bickering and sarcasm between Obi-Wan and Anakin that is simply out of character for them. I am also sure that Jedi are emotionally tortured in many ways, but they would not ‘over- share’ as happens in this book!
There was one scene in this book which made continuing with it until the end a painful experience. It was a moment in which the any plausibility of the characters was swiftly lost: Anakin Skywalker: ‘But that means escaped Republic Custody. How is that possible? And why didn’t we hear anything?” “Well…’ Obi Wan ran a hand over his beard. “We’ve been a bit busy lately. Perhaps we missed the memo.” As the first film came before any books, Obi-Wan Kenobi, as played by Guinness, is the ‘real’ Obi-Wan. I simply can’t imagine that character (or even the Ewan McGregor version of him) ever saying ‘we’ve been a bit busy lately’ or ‘perhaps we missed the memo’, as an excuse for not knowing that an evil general had escaped. Neither am I convinced that Jedi have memos. Having watched all films, I can’t recall any paper at all, let alone a memo!
This is American humour shoved into a franchise book which quite frankly, is a cheap shot at a joke. This is not even recommended to Star Wars fans that might generally enjoy the occasional franchise novel

Reviewed by Sam Fennell Aug-2011 Published by Arrow

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David Mitchell

THE BONE CLOCKS by David Mitchell

I saw that this had just won the World Fantasy Award so I read it to find out how much SF/fantasy it has. As in CLOUD ATLAS, there's some SF and some fantasy, though mostly this is literary fiction.
Mitchell is a perceptive writer, particularly talented at creating entertainingly offbeat characters in widely different milieux. His depictions of the teenage Holly Sykes and the undergraduate Hugh Lamb in the recent past (1980s, 1990s) are a joy to read, full of wit and clever revelation. Gradually the narrative progresses, via different narrators and Mitchell's familiar novella structure, into the future. But over half the novel has gone by before we arrive at anything substantially futuristic (2025), and the previous SF/fantasy elements have been restricted to very brief episodes easily dismissed as hallucinations.
Only after page 397 do we learn about the reincarnation theme and the war between two groups of supermen (and women) with super powers. There's an exciting (though baffling) battle between the two groups. Later on, in 2043, we see the planet, via the microcosm of one small corner of Ireland, descending into dystopia and barbarism.
Somewhere in the middle of the book is political satire and literary feuding. I noticed Lord Sugar and The Apprentice (carefully renamed to avoid legal action) receiving a kicking.
So this contains many themes, several tropes of SF and plenty of characters turning up again and again in major and minor roles. Mostly it's Holly Sykes' novel; she's there at the beginning and the end.
Mitchell has done an excellent (if occasionally patchy) job. This is a difficult and demanding novel, partly SF and partly not, though wholly worth reading. NB Copy not supplied by Sceptre/Hodder––I bought it. Chris Morgan

Reviewed by Jan-2016 Published by Sceptre

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L E Modesitt Jr


Science fiction! A good post Holocaust novel well worth a read. The holocaust this time being as a result of nanotechnology and age control.
The lead character has to come to terms with technology and new values.
Aiming for one post as a respectable teacher in society he falls from grace, having all he loves taken away he has to run. Fleeing to the demons he has to start his life again and being stubborn ends up at the bottom before he can accept the talents he has in the new society.

Reviewed by Anne Woodford Aug-2000 Published by Orbit

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Ward Moore


This one of the definitive ‘alternate world’ novels. The book is not perfect.
There are probably flaws in its extrapolation of history - especially when it comes to Europe (William V is king of England, Napoleon VI is emperor of France when the history only diverges in the 1860’s in America). 'The writing style seems to be wrongly dated - more 18th than 19th century. But these are petty problems. There is little science here that wouldn’t have been known to the author (set at its most recent in an alternate 1940’s but written in the 1950’s) and none of it is explained at length.
This is the story of the United States after the Confederacy won the civil war.
Since the southern states had taken this as a war of independence, the United States still exists although (since several states were conceded to the Confederacy) it is smaller and, because of heavy reparations, much poorer. Slavery no longer exists but the black population has been repatriated to Sierra Leone and extreme poverty means that some people ‘indenture’ themselves to large companies - effectively selling themselves as slaves for their working lives.
Hodge Backmaker is a farm-boy down on his luck who comes to New York with 3 dollars in search of whatever work he can find. He has educated himself from whatever books he can find and his favourites are American history. On his first day in the city he is beaten and robbed and taken in by a bookseller who needs someone to run errands and not ask questions. He will be provided with meals and a place to sleep and allowed to read whatever takes his fancy. After 4 years of reading he is ready to apply to every college he can think of.
Since the bookseller is really a front for a clandestine organisation called the ‘Grand Army’ that wants to destroy the Confederacy and restore the states he has been offered a job as a Confederate spy. He has also seen too much of the Grand Army’s operations to stay, and he has the offer of a place at a college of sorts out in the country.
They have several different projects at this college including......a time machine.

Reviewed by William McCabe Aug-2001 Published by Gollancz

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Richard K Morgan

THE COLD COMMANDS by Richard K Morgan

Richard Morgan has proved himself to be the master of two genres, i.e. SF with his first novels: The Takeshi Kovacs trilogy, MARKET FORCES and BLACK MAN and now with THE COLD COMMANDS and its predecessor THE STEEL REMAINS he is demonstrating his mastery of dark fantasy. In THE COLD COMMANDS a warning has been given by the Kariathi helmsman Anasharal (an AI) of the reappearance after 4000 years of a ghost island in the northern ocean which is reputed to be the mausoleum of the greatest emperor of the Dwenda, the Illwrack Changeling. The Dwenda are a humanoid race, formally mankind’s masters and deadly enemy. This reappearance is forecast to have dire consequences for humanity. With this in the background the story follows the adventures or misadventures of Ringil Eskiath, sometimes called ‘Angeleyes’, a disreputable scion of one of the Trelayne (Northern) League, a scarred hero of the Gallows Gap battle and a self described ‘faggot’. While his is the greater part in the tale, his strand is skilfully interwoven with those of other heroes of THE STEEL REMAINS. That is Egar the Dragonbane, a majak (steppe nomad) mercenary living in the southern empire city of Yhelteth and their friend Archeth the last remaining member of the Kariath race and special advisor to the Emperor Jiral. Many other characters, including the Emperor, a sect of religious fanatics, the Kariathi helmsmen and dark gods add to the overall richness of the plot. Like many books this one started very well, but suffered a brief dip into the doldrums in the middle with Ringil languishing in the misty ‘Grey Places’ a dimension that partly overlaps with that in which humanity dwells and which is home of the Dwenda and the Dark Gods and the occasional human. However, this is brief and is germane to the story and does not distract from the overall excellence of THE COLD COMMANDS. Highly recommended.

Reviewed by Jim Pearce Dec-2011 Published by Gollancz

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WOKEN FURIES by Richard K Morgan

The star of Morgan’s debut novel ALTERED CARBON, Takeshi Kovacs, is here returned for a third adventure, set this time on his native planet.
He has returned there on a personal mission of vengeance but he soon finds himself entangled in a web of political intrigue in which the implacable enmity of a version of his own former self is far from the worst of his problems.
The reader will find the opening chapters are dense with information as the scene is set, and it doesn’t get any easier to follow. There develops a complex story of changing allegiances and shifting loyalties among an extensive cast of characters which includes some of Kovacs’ former friends – not all of whom are such good friends as he once thought. The twists and turns which ensue make the detective thrillers of the past – Raymond Chandler, for example – seem positively tame by comparison.
It derives heavily from the Cyberpunk school of writing, replete with advanced technology, advanced computer interfacing, advanced communication systems and advanced weaponry all thrown in and seasoned with a good deal of sex and violence, so something for everybody. Oh, and central to the plot is the possibility of anybody who can manage to arrange it having their personality and accumulated experience downloaded and transferred into a replacement body or ‘sleeve’: bought, borrowed, rented or stolen as the case may be.
It may sound like little more than a slam-bang action story, and to a large extent that is so. However, Morgan does manage to redeem himself with implicit commentary on the problems for society which will result from the availability of ‘re-sleeving’, which means virtual immortality for the fortunate few, as well as an in-passing commentary on the evils of oligarchic political systems where too much wealth is concentrated in too few hands. A good SF novel, therefore, in the best tradition of extrapolative fiction.
Reviewed by Michael Jones Jun-2005 Published by Gollancz

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Mark Morris

DEAD ISLAND by Mark Morris

DEAD ISLAND is the eagerly awaited novelisation of the game released on 8th September.
Royal Palms is a luxury vacation resort on the tropical paradise island of Banoi. A plague breaks out on the island and the islanders and tourists are transformed into flesh-eating dead. Four survivors who are inexplicably immune must fight to survive and escape from the island, aided by a mysterious voice on their mobile phones. Visceral, bloody, gory, rather kitsch (but also fun) DEAD ISLAND fleshes out the game (pardon the pun), creating characters with histories and motivation. Have no illusions, this is pulp fiction but quality pulp; the writing a is class above the norm and imbued with Morris’s signature exploration of fear and loss.
Some of the characters are blatant survivor stereotypes but have been designed for the game and brought to life by Morris. The characters in the ‘game’, or in this case, the novel, become more than simple zombie fodder or avatars. The reader actually cares what happens to these people. There are lots of nods to the tropes of game play; a mysterious benefactor, the choosing of weapons, a martial arts expert and an open ending, but this novel still makes for a tremendously fun read. Finishing with a cliff hanger, I am actually hoping for a sequel, so invested am I in these protagonists. Zombie goodness!

Reviewed by Theresa Derwin Oct-2011 Published by Bantam

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Linda Nagata

VAST by Linda Nagata

I had a real struggle with this - 1 found myself constantly looking for something else to do instead of picking it up and reading some more of it and I have rarely been so glad to get to the end of a book as I was with this one.
The basis of it sounded most appealing, with a crew of humans aboard a semi-organic spaceship fleeing the destruction of their world, with an automated alien destroyer in hot pursuit. For decades they seek either to fight off their pursuer or to make contact with the object of subverting it so that they can make good their escape. At the same time they aim to penetrate the part of space from which the enemy originated millions of years ago, in the hope of finding out how to put a stop to the endless destruction of all life in the universe.
(Yes, I am familiar with Fred Saberhagen's Berserker series.)
The trouble with VAST is that it is just too intricate. The crew are a highly advanced form o f humanity and they live and operate in a confusing mishmash of intelligent viruses, nanotech and computer interfacing as they restructure their ship, re-grow their bodies and split off virtual personae as and when the need seems to arise. Half the time I found it almost impossible to follow who was doing what, and why, and it was perhaps because of this that I could not discover any dramatic tension, any excitement, to keep me interested. Maybe this was simply a failing on my part and a better reader than me might get more out of it than I did, because there is definitely a high level of inventive writing in there. However, I must speak as I find and what I found was bor-ring.
Also, there were tantalising hints that this was a sequel to at least one previous volume, with the possibility of more to come. On other occasions like this I have been interested enough to seek out the rest of the series, but not this time thank you.

Reviewed by Michael Jones May-2000 Published by GoIIancz

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Terry Nation

SURVIVORS by Terry Nation

First written in the ‘70’s by Terry Nation, this story has seen a revival with the recent TV series shown on the BBC, starring Julie Graham, Paterson Joseph and Max Beesley. I watched the programme before reading the book, and the two are not at all the same although they obviously follow the same basic root storyline. The basic premise is that a mystery virus (never, annoyingly, explained in either medium) spreads scarily quickly and wipes out most of the world’s population in a matter of a few days. It starts off slow but then seems to take hold overnight. This part is covered quickly as the main focus of the storyline is, of course, from the title the survivors and how they cope with an almost empty world with all the mod cons still around them. The book and programme star a character called Abby Grant who has lost her family but thinks her son may be alive still. She gradually meets other survivors, some friendly, some not, and with a small commune of the friendly ones, she learns self-sufficiency and eventually forms long term survival plans.
This is occasionally interrupted by other groups who try to raid their supplies or form an army to control the surrounding areas.
The book covers more of a timescale than the series - though admittedly another series is in the pipeline which may cover events in the latter part of the book. The characters are also slightly different in the book which meant I had some trouble relating what I’d watched to what I was now reading about. Only Abby and to some extent Greg appeared to match in both book and series. Some set pieces were straight from the novel, others appeared to have been invented completely. I presumed this was done to bring the story a bit more up to date and relevant, though really the only thing I missed in the story was any mention of computers, software and gadgets, though of course, without electricity these would presumably have been useless anyway.
The ending and approach to the book’s resolution was a bit different to what I was expecting, and it will be interesting to see if the series takes this line next time. Overall I enjoyed the story, though I might have liked a bit more padding out of the characters. I was trying to rely on my memory from the programme to remember what the characters were like as people, and their individual backgrounds but not a lot of detail is given to bring them to life. A good read anyway, and it moves along at a good pace. The parts which may strike a chord include the initial reactions to the ‘flu’ (in these days of swine flu breakouts) and the scenes where they are making a new life for themselves out of the remaining rations etc.

Reviewed by Vicky Stock Feb-2010 Published by Orion

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Vera Nazarian


Far in the future, the Earth is dying and the human race is vastly changed, resembling Roswell greys more than the current race. Liaei has been created in a lab to become the mate of the Clock King, a man trapped inside a stasis device, periodically released from his confinement for a brief period, before he must return to stasis to prevent the passage of time catching up with him and reducing him to dust.
But the book takes its time to get to the meeting of the two humans, with fully the first half of the story concentrating on the childhood and her development into adulthood of Liaei and her associations with the members of the future human race, and her growing understanding of her world.
I have been looking forward to this novella since I first heard of it. The synopsis I read appealed to me particularly. So in some ways I was dreading that it might not live up to my hopes, thankfully though it did. And in one way it lives up to this because of the deliberate build up, for although this is a short book, the author does not feel rushed by this length. Everything here takes place at a steady even pace. And in having this pace it allows you to feel with the lead character, to see the world she lives in as she discovers more of it as she grows.
Our connection with Liaei is made all the easier by her being a genetically re-engineered human - one of us so to speak - in a world where the human race has evolved into a virtually different species, a hairless androgynous long- lived race. This means Liaei has to cope not only with the usually problems of adolescence but she has to do it in an essentially alien environment, how much worse must the feelings of being completely alone and different from everyone around when you are the only human.
There is a beauty in the prose here, a lyrical quality. The writing is quite sublime. A good deal of the time I like a writing style which allows the story to be told - one that doesn't get in the way, and feel that flowery text (my description for what is often called literary or lyrical) just obscures the plot unnecessarily.
Here, however, the story is quite different. The prose is exquisite but it is not flowery, not a case of ‘why use one word when you can use thirty’. But it is also a truly pleasant little tale - not a half idea shrouded in nice words where the author might hope the good turn of phrase might mask the lack of substance, this is a fine little tale set in a believable well portrayed far distant future.
Every aspect of this novel has a point, every inclusion necessary to the advancement of the tale. The details of the society of the future, inhabited by these long-lived future humans, with the secrets of the technology guiding their lives lost to them, and the machines slowly breaking down; the teachings of the requirements of Liaei's sexual destiny by an essentially asexual nursemaid and a computer; and the ravaged Earth, all contributing to the texture of the tale.
Golly this is good!

Reviewed by Steve Mazey Dec-2005 Published by PS Publishing

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Emma Newman

PLANETFALL by Emma Newman

When we look at the people around us there is a danger that we will assess them according to our own lights. The physically disabled and frail are usually easy to recognise but some conditions are hidden, such as diabetes, heart conditions and asthma. They can be as debilitating but are externally invisible. So are many mental issues. It has taken a very long time – centuries in some cases – for the medical fraternity to recognise some of them. How much harder is it, then, for the ordinary person to know? Especially if the sufferer doesn’t talk about their concerns.
The basis behind the novel, PLANETFALL, is an expedition to a distant planet, instigated by Suh-Mi. She has been missing, presumed dead for more than twenty years but her presence resonates throughout this book. The remaining colonists have built their town around an alien structure into which Suh-Mi disappeared. Most of them are expecting her to return with words of wisdom. They have been waiting a long time. In this sense she is a Moses figure, leading her people to a promised land and now they wait for the final revelation.
Renata Ghali (Ren) is a printer engineer. Since most of the needs of the community are met using 3-D printers she is a valuable and respected member. Outwardly, she seems as balanced as everyone else. The fact that she goes down into the recycling room and takes away thrown-away items that she thinks can be mended is eccentric but understandable; well within the norms of human behaviour. Then the society is destabilised by the arrival of Sung- Soo. He staggers in from outside. That he is alive is revelation enough as everyone believed that the landers carrying other colonists were all destroyed. He explains that there were survivors but he is the last of them. And he is Suh-Mi’s grandson. The other revelation is that although the plants native to this planet are toxic to humans, he can eat them, probably due to the parasite they find living in his gut.
Nevertheless, he is made welcome and a home is made for him. He wants to know everything, especially about his grandmother. His presence, though, is a catalyst for change. Ren has not invited anyone into her home for years. Gradually the reason unfolds. She is a hoarder. She is unable to throw anything away. She has filled every available space with the broken objects that she has rescued. To other eyes, they are garbage, to her, they are precious. She will fix them – eventually. When the other colonists discover this, they see it a deviation not as a mental illness that should be looked on with sympathy and treated. Their reactions set off a further chain of events that threatens to dissolve the glue that holds the colony together. It is unusual, and pleasing, to have a seriously damaged person as a central character but as this is a first person narrative it is possible to show Ren’s mind-set and the way that she fails to understand that there is anything odd about her behaviour. Newman treats her sympathetically and it is easy to relate to Ren’s issues, even perhaps, seeing a little of ourselves in her.
This book has excellent characterisation and the plot revelations, as they creep up on the reader, are delightfully handled. I cannot recommend it highly enough.

Reviewed by Pauline Morgan Jul-2016 Published by ROC

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Stan Nicholls


There is a world, where all the other-world creatures, such as
dwarves, elves, orcs, pixies etc are the native inhabitants and humans are the interlopers. Magic is real, but it is dying. The ice is closing in from the north and the Puritans are ploughing up the earth, destroying the conduits of magic. Salt this with an evil queen or two and some highly desirable thaumatergical artefacts (which no-one knows what they do) and you have a familiar fantasy scenario. Except that here, the orcs, those bloodthirsty, evil, demons- spawn are the heroes. Orcs in this world, though warriors, are the mercenary troupes o f Queen Jennesta. Stryke's troupe have been directed to capture a particular cylinder from a human fortress. After the massacre, they also find a haul of the narcotic, pellucid.
They spend the next twelve hours out of their skulls, realise that Jennesta will be so unhappy about the delay that she will probably execute them all so take a short cut home, only to be ambushed and the cylinder stolen from them.
Later, Stryke's troupe discover that the cylinder contains one of
several artefacts and decide that their best bet is to try and collect all of them. Thus, they embark on a quest, cutting a swathe o f destruction across the land, with the whole of the known universe at their heels.
Volume two is a continuation of volume one. The pace is fast and furious, the interplay between characters is good but I didn't feel drawn into the plot. After a while, the continuous mayhem begins to pall and the characters begin to lose their identity as ores. While this book may well appeal to the less discriminating reader, it does not have the eccentricity and humour of Mary Gentle's novel Grunts.

Reviewed by Pauline Morgan Jan-2000 Published by Gollancz

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This is the second volume of a fantasy trilogy, that begins at a cracking pace, and continues at the same speed. Volume one, QUICKSILVER RISING, introduces the principal characters and sets up the identity of this world. Here, magic has roughly the same function as electricity does in ours. The rich can afford all kinds of magical items, usually called glamours, while the poor have to make do with low quality fakes. The dynamics of the plot are complex, with four factions vying for attention. Two empires, constantly at war with each other, dominate most of the civilised world. As they are both despotic, there is a Resistance, an association of groups working towards the lifting of the yoke of tyranny. To the north, Zerriess, the leader of the barbarian hordes is moving southwards, killing the magic as he goes. The danger he represents has yet to be recognised by the other powers. Thrown into this mixture is a wild card. Prince Melyobar, the titular ruler of Bhealfa is mad and in his floating palace is attempting to outrun Death. Anything he does is likely to mess up the plans of any of the others.
The focus of the plot is centred on the island of Bhealfa. Here, an odd selection of characters are brought together by circumstance – Serrah, a disgraced soldier; Reeth a bandit prone to berserker rages; Kutch an apprentice wizard; Karr a politician; Kinsel, a pacifist singer; Tanalvah, a whore; and many others.
These fall in with the Resistance movement.
QUICKSILVER ZENITH sees the Resistance movement planning to escape from tyranny by buying an island and moving all their sympathisers to it.
Naturally there are problems – there is a traitor in Resistance, Kinsel in arrested and undergoes a travesty of a trial before being sentenced to the galleys, and Reeth is accused of the murder of the leader of the paladins. The paladins are a mercenary group that have become rich by playing for both empires. With all the issues thrown into the melting pot, it does not seem that one final volume will be enough to resolve all of them.
The plot moves very fast, with a lot of action. Even if all the sword fights are not wholly convincing it doesn’t matter too much as the reader is swept along. There is also a vast cast list. As a result it is impossible to develop them in any great depth in the space they have been allowed. In many ways these would have been more satisfying books if they were longer. Nevertheless, you are left wanting to know what happens next.

Reviewed by Pauline Morgan Apr-2005 Published by HarperCollins

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Whether you will enjoy this book, depends on what you look for in fantasy - and what you put down before you started this one. WARRIORS OF THE TEMPEST concludes the trilogy which began with BODYGUARD OF LIGHTNING and continued with LEGION OF THUNDER.
The heroes ore orcs, those nasties that got such a bad press in Tolkein's THE LORD OF THE RINGS. The pace is fast and furious with the orcs doing what they are best at - killing - a lot of the time.
The setting is Maras-Dantia, a world populated with a host of mythical creatures, including centaurs, nyadds, goblins, brownies, kobolds and harpies, from a mixture of mythologies (bells should start ringing that this is not what it seems). The ice is encroaching from the north and puritanical humans from the south. Magic is disappearing. In volume one, Jennesta sent her crack orc division to acquire an artefact called an instrumentality. Due to a number of unfortunate circumstances, these orcs, lead by Stryke, found themselves under her death sentence and a quest to find the other four. They haven't thought as far as to what they will do once they have them.
The biggest problem is that it is often difficult to remember that Stryke and company are actually nasty viscous orcs. It is too easy to compare these unfavourably with those in Mary Gentle's GRUNTS!
where the orcs were over-the-top nasty but you ended up rooting for them. Here, your sympathies are with the orcs from the beginning.

Reviewed by Pauline Morgan Dec-2001 Published by Gollancz

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Larry Niven


I have a theory about Larry Niven. This most brilliant and original of late-1960s SF writers has lost it. Somewhere in the last twenty years he’s forgotten how to write a readable story. Maybe it’s because of all those collaborations but as evidence I point to THE SMOKE RING, THE INTEGRAL TREES, RINGWORLD THRONE, and worst of all, RAINBOW MARS. I ask you honestly, did you finish any of that lot?
But there’s a saving grace – while Niven at novel-length is excruciatingly awful, at short forms he still has that old magic, the gift of being able to take an idea and run with it, the ability to extrapolate and provide a new perspective that no-one has seen before. So we have a sort of inverse-square law; readability is inversely proportional to length, or in other words, the shorter the better. And the stories in this book are very short indeed. That’s why they’re so very good!
Annoyingly, the acknowledgements page doesn’t show sources of first publication, but I’ve been enjoying the Draco Tavern yarns for a long time in ANALOG and the earliest date from the mid-seventies. The idea is quite simple, and Niven is at least the fourth person to have used it; create an imaginary bar (we’d say ‘pub’) in which unlikely tales are told. Fletcher Pratt and L. Sprague de Camp started it with ‘Gavagan’s Bar’ in the early fifties, closely followed by Arthur C. Clarke with ‘Tales from the White Hart’, then Spider Robinson, and for all I know a half-dozen others.
Typically, Larry Niven goes that extra mile and gets various species of ET to tell his tall stories, in a locale he makes at least superficially plausible. So we get to hear about Earth’s first intelligent species and what happened to them; about bloodthirsty alien people-eaters from another Star who happily drink consommé when in polite company, and twenty-five other yarns about contact with the interstellar community. Some of these (the shorter ones) are better than others, and the book is probably best dipped into at odd moments rather than being read straight-through. But it’s fun, thought-provoking, and I recommend it.

Reviewed by Peter Weston Apr-2006 Published by Tor

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Alyson Noël


This is a book that will appeal to the teenage fans of Stephanie Meyers’ TWILIGHT and its sequels. There are a number of familiar elements. Like Buffy (the Vampire Slayer) and Bella (from TWILIGHT) Ever is a teenager attending an American High School. Like Buffy, she is a bit of a misfit. Her friends are Haven, a Goth wannabe, and Miles who is gay. She instantly makes an enemy of the most popular girl in her year – Stacia. As in TWILIGHT, a gorgeous male classmate soon appears who acts mysteriously and is not what he seems.
Ever, though, is not an ordinary teenager. She was the sole survivor of a car crash which killed her parents, sister and dog. As a result of that accident (reminiscent of Charlaine Harris’s heroine, Harper, of her Grave series of books), Ever has been left with psychic powers. She can hear other people’s thoughts, see their auras and see the dead. In fact, her dead sister, Riley, keeps hanging around. Ever is ambivalent towards the new boy, Damen. He does not have an aura and when he speaks, the other voices go quiet. He keeps giving her red tulips, but flirts with Stacia. He induces her to play truant, then disappears. There are, however, no vampires or werewolves in Evermore.
Although this novel, the first of six projected books, may seem derivative to the well read reader, it is very enjoyable and catches the flavour of teen life. It ought to prove popular.

Reviewed by Pauline Morgan Jan-2010 Published by Macmillan

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Naomi Novik

TEMERAIRE by Naomi Novik

At the core of this book is a brilliantly original idea, and this alone will endear it to many readers. It is an alternate world, historical fantasy novel. In Novik’s universe, dragons are as much a part of the natural history of the world as are horses or elephants. Dragons have been domesticated. Only a very few of them can breathe fire. Then the problems start.
The setting is the Napoleonic wars, a period when Britain was at war with France. The French fleet is bottled up in port by the British Navy blockade.
Except for the dragons, history has paralleled ours. Other authors have done similar things; Freda Warrington’s THE COURT OF THE MIDNIGHT KING tells Richard III’s story but with pagan magic wielded by the women; John M.
Ford told a similar story in THE DRAGON WAITING but with vampires. Both of these are stronger books than Novik’s, but this may partly be because they are more experienced writers. In both the former books, there is a very strong sense of period which is not evident in Novik’s novel. She has not woven her dragons sufficiently into the fabric of the politics and culture.
The book opens in the middle of a battle between a British and a French frigate. The language is clumsy and convoluted. Two of us read the first sentence three times before we could make sense of it. Neither was I convinced by the scene described. Nevertheless, the British captain, Will Laurence, prevails and discovers a dragon’s egg in the Frenchman’s hold. It is about to hatch. Unless someone is able to harness the hatchling on emergence from the egg, it will become feral and be untrainable. With echoes of Anne McCaffrey’s Dragons of Pern, the dragon decides that only Laurence will do. At this point he has to resign himself to leaving the Navy and joining the Aerial Corps. Man and dragon have bonded. In what is a relatively short book we then have related the problems of feeding a dragon at sea – they eat rather a lot, the training of the dragon and their part in rebuffing Napoleon’s invasion of England. The rest is fairly standard fare. Laurence and his dragon, who he names Temeraire, initially don’t fit into the elite society of dragon riders. Gradually this changes.
The concept behind the dragons is good but not quite convincing enough. They are huge beasts when fully grown. They are like airborne sloops, equipped with a crew of marines and other ranks which swarm all over them while in flight. The ability of a fifty ton behemoth to fly is explained by internal bladders! The quantity of meat required to feed them – two or three sheep a day each – is enormous and it is difficult to see how supply would be sustained, unless by the time of industrial expansion they are redundant and confined to remote landscapes bare of human industrialisation.
Novik is very coy about telling us the actual date of her novel’s setting although a knowledge of English history will eventually pin it down to1805 as the Battle of Trafalgar happens off stage (with air cover). There is no report of Nelson’s death. Perhaps this is an oversight as it would be a shame if history was changed at this point when she has been careful to follow it almost exactly so far.
The biggest problem with the novel, which may be because she is an inexperienced writer, is that it lacks depth and characterisation. It is fast paced and action-packed. There is good description of the dragons and the landscapes but if you take away the dragons the writing has little substance. I have no doubt, though, that it will prove to be a popular series.
WARNING! - TEMERAIRE has been repackaged and retitled in paperback by Ballantine/Del Rey in the USA as HIS MAJESTY’S DRAGON for publication in three months time. It is the same book.

Reviewed by Pauline Morgan Feb-2006 Published by Voyager

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This is book 6 of the Temeraire series - a very engaging series following the adventures of Captain William Laurence and his dragon Temeraire as they are thrown together to fight for Britain during the turbulent time of the Napoleonic Wars. In this latest book in the series, Laurence has been convicted of treason and stripped of rank, and sent to Australia along with a prison colony. With them travel three dragon eggs which are to be handed over to officers willing to accept such a remote assignment in that part of the world, including Captain Rankin, a former acquaintance, whose cruelty once cost a dragon its life. They arrive to a colony in turmoil and accept a mission to venture into the interior of Australia. But one of the eggs is then stolen which changes the shape and urgency of their mission, as they must recover it before it hatches. Their quest also leads to further discoveries about the global war between Britain and France. This book for me took a fair bit of settling into. I am normally a quick reader and fully expected a book of this size and subject matter to not take me long at all. I have read most of the others in this series, and had become a bit of a big fan so was rather excited to have the opportunity to review this latest offering. The first section, set in the colony when Laurence and Temeraire have just arrived, has quite a slow pace. Not a lot happened, there was lots of discussion about the latest developments in the war, and the characters were all maybe a bit too prim and proper for me to warm to them. However, the book changes pace and feel as the expedition is launched into the interior of the continent and the chase to find the egg starts. I really enjoyed the descriptions of the Blue Mountains and later on the desert regions. The narrative here makes the experience a very vivid one for the reader. The characters settle down a bit and become warmer, and more realistic in general in the way they talk and react to events and situations. The number of dragons increases which leads to more variety in characters, and it is easy to imagine them and what they are like. I am a big fan of good characterisation and this really improved the book for me. Interestingly, whereas the first section took me a long time to read, the last two thirds of the book took me a few days! Not just that I had more time to read it, I was more inclined to want to press on and see what happened! Overall a good book, and as engaging ultimately as some of the earlier books, although the heroes are more settled with each other now. There is still new territory to explore with this ongoing story, something which the author hints at in her final chapters which suggest possible trips to other countries and regions.

Reviewed by Vicky Stock Dec-2010 Published by Gollancz

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